Isbn: 9780520072374 - the grain of the voice: interviews, 1962-1980 (8 Ergebnisse)

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Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Zustand: Very Good. The Grain of the Voice: Interviews, 1962-1980 This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

Softcover. Zustand: Very Good. Immediate dispatch from Somerset. Nice older book in great condition. Pages in great condition. No notes or highlighting. See images. Fantastic book. About the book >.>.> This text by Roland Barthes prefaces the first series of Dialogues produced by Roger Pillaudin for France-Culture and published by the Presses Universitaires de Grenoble. We talk, a tape recording is made, diligent secretaries listen to our words to refine, transcribe, and punctual them, producing a first draft that we can tidy up afresh before it goes on to pub- lication, the book, eternity. Haven't we just gone through the "toilette of the dead"? We have embalmed our speech like a mummy, to preserve it forever. Because we really must last a bit longer than our voices; we must, through the comedy of writing, inscribe ourselves somewhere. This inscription, what does it cost us? What do we lose? What do we win? (SP).…