9780500544006 - robert rauschenberg: photographs 1949 - 1962 von white, david (3 Ergebnisse)
- Softcover
Anbieter: Better World Books Ltd, Dunfermline, Vereinigtes KönigreichBetter World Books Ltd
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Gut
EUR 27,14
EUR 5,86 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
- Hardcover
Anbieter: Powell's Bookstores Chicago, ABAA, Chicago, IL, USAPowell's Bookstores Chicago, ABAA
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Gut
EUR 38,87
EUR 4,39 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Minor shelf wear; small fray at bottom edge of rear jacket panel. Else a bright, clean copy. This volume gathers and surveys Rauschenberg's numerous uses of photography for the first time. It includes portraits of friends such as Cy Twombly, Jasper Johns, Wil…lem de Kooning, Merce Cunningham and John Cage, studio shots, photographs used in the Combines series, silkscreens, photographs of lost works and works in progress - allowing us to reimagine almost the entirety of the artist's work in light of his uses of photography, while also supplying previously unseen glimpses into his social nexus of the 1950s and 60s. Robert Rauschenberg's engagement with photography began in the late 1940s during his time at Black Mountain College in North Carolina; for a while he was even unsure whether to pursue painting or photography as a career. Instead he chose both. He found ways to fold photography into his Combines, and maintained a practice of photographing friends and family, documenting the evolution of works and occasionally dramatizing them by inserting himself into the picture frame. As the distinguished curator Walter Hopps wrote, 'The use of photography has long been an essential device for Rauschenberg's melding of imagery. [and] a vital means for Rauschenberg's aesthetic investigations of how humans perceive, select and combine visual information. Without photography, much of Rauschenberg's oeuvre would scarcely exist.' The artist himself affirmed, 'I've never stopped being a photographer.'.
- Hardcover
Anbieter: Powell's Bookstores Chicago, ABAA, Chicago, IL, USAPowell's Bookstores Chicago, ABAA
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Gut
EUR 38,87
EUR 4,39 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Minor shelf wear. Else a bright, clean copy. This volume gathers and surveys Rauschenberg's numerous uses of photography for the first time. It includes portraits of friends such as Cy Twombly, Jasper Johns, Willem de Kooning, Merce Cunningham and John Cage,…studio shots, photographs used in the Combines series, silkscreens, photographs of lost works and works in progress - allowing us to reimagine almost the entirety of the artist's work in light of his uses of photography, while also supplying previously unseen glimpses into his social nexus of the 1950s and 60s. Robert Rauschenberg's engagement with photography began in the late 1940s during his time at Black Mountain College in North Carolina; for a while he was even unsure whether to pursue painting or photography as a career. Instead he chose both. He found ways to fold photography into his Combines, and maintained a practice of photographing friends and family, documenting the evolution of works and occasionally dramatizing them by inserting himself into the picture frame. As the distinguished curator Walter Hopps wrote, 'The use of photography has long been an essential device for Rauschenberg's melding of imagery. [and] a vital means for Rauschenberg's aesthetic investigations of how humans perceive, select and combine visual information. Without photography, much of Rauschenberg's oeuvre would scarcely exist.' The artist himself affirmed, 'I've never stopped being a photographer.'.
