Isbn: 9780500238813 - pre-raphaelite drawing: [reprint under consideration] (e) (2 Ergebnisse)

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  • Sprache: Englisch

    Verlag: Thames & Hudson, 2011

    0500238812 / 9780500238813

    • Hardcover

    Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes KönigreichWorldofBooks

    Verkäufer/-in mit 5 Sternen
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    Zustand: Gebraucht - Gut

    EUR 24,38

    EUR 6,63 Versand 
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    Anzahl: 3 verfügbar

    Hardback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

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    Sprache: Englisch

    Verlag: Thames & Hudson, 2011, 2011

    0500238812 / 9780500238813

    • Hardcover

    Anbieter: West Cove UK, Wellington, Vereinigtes KönigreichWest Cove UK

    Verkäufer/-in mit 5 Sternen
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    Zustand: Gebraucht - Gut

    EUR 27,83

    EUR 30,71 Versand 
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    Anzahl: 1 verfügbar

    Hardcover. Zustand: Very Good. Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent unused condition. Images are beautiful bright and vivid. No notes or highlighting. See images. Fantastic book. About the book >.>.> The Pre-Raphaelite Brotherhood, a group of radical young artists who banded together in London in 1848, revolutionized British art. This book explores the vital role played by drawing and design, in all its variety, in the work of the Brotherhood and their associates. Alongside studies for paintings of religious, literary and medieval subjects are the group's portraits, self- portraits and caricatures, often exchanged as gifts; meticulous depictions of nature by John Ruskin and his followers; captivating drawings of the iconic Pre-Raphaelite models Lizzie Siddal and Jane Morris; and original designs for stained glass, textiles and ceramics. This is the most comprehensive survey of Pre-Raphaelite drawing to date. Art historian Colin Cruise explores the emergence of the Brotherhood's graphic style, their theories of naturalism, their radical promotion of new subjects, and their highly original use of watercolour as a drawing medium. He also demonstrates the impac.…