Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
EUR 3,73
Anzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Anbieter: WeBuyBooks, Rossendale, LANCS, Vereinigtes Königreich
EUR 5,20
Anzahl: 1 verfügbar
In den WarenkorbZustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.
Sprache: Englisch
Verlag: Dover Publications, Incorporated, 2004
ISBN 10: 0486432939 ISBN 13: 9780486432939
Anbieter: Better World Books Ltd, Dunfermline, Vereinigtes Königreich
EUR 7,08
Anzahl: 1 verfügbar
In den WarenkorbZustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Anbieter: moluna, Greven, Deutschland
EUR 14,56
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. KlappentextrnrnFresco painting was reintroduced to public attention in this important work by a recognized authority. In addition to translating descriptions of painting methods used by such masters as Alberti, Cennini, Vasari, and Borghini, the.
Sprache: Englisch
Verlag: Dover Publications Jan 2004, 2004
ISBN 10: 0486432939 ISBN 13: 9780486432939
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - Known for its durability, a fresco painting is created in 'sections' on freshly laid wet plaster, allowing the painter to comprehensively portray the subject and execute designs with ease. As both the paint and plaster dry, they become completely fused. Highly popular during the late-thirteenth to the mid-sixteenth centuries, fresco painting was almost a lost art by the time this book was first published in 1846. This volume, by a recognized authority in the field, was highly influential in reintroducing fresco painting to public attention. In addition to translating descriptions of painting methods used by such masters as Alberti, Cennini, Vasari, Borghini, Pozzo, and Pacheco, the author also interprets passages from rare manuscripts on the causes of fresco destruction and how to retouch, repair, and clean these works of art. Curators and art historians will find this classic reference work of immense importance and interest. Unabridged Dover (2004) republication of The Art of Fresco Painting: As Practised by the Old Italian and Spanish Masters, originally published by Charles Gilpin and Arthur Wallis, London, 1846.