9780486209418 - art and geometry: a study in space intuitions (dover books on art history s) von ivins, william m. (14 Ergebnisse)

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Paperback. Zustand: Like New. FIRST THUS. First Edition Thus, First Printing. Not price-clipped. Published by Dover Publications Inc, 1964. Octavo. Paperback. Book is like new. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.…

Zustand: Very Good. Series: Dover Books on Art History S. Num Pages: 128 pages, illustrations. BIC Classification: AC. Category: (G) General (US: Trade). Dimension: 129 x 236 x 14. Weight in Grams: 134. Series: Dover Books on Art History S. Num Pages: 128 pages, illustrations. BIC Classification: AC. Category: (G) General (US: Trade). Dimension: 129 x 236 x 14. Weight in Grams: 134. 1964 Dover edition. Good clean copy with minor shelf wear, remains very good. 2011. paperback. . . . . Books ship from the US and Ireland. …

Zustand: Very Good. Series: Dover Books on Art History S. Num Pages: 128 pages, illustrations. BIC Classification: AC. Category: (G) General (US: Trade). Dimension: 129 x 236 x 14. Weight in Grams: 134. Series: Dover Books on Art History S. Num Pages: 128 pages, illustrations. BIC Classification: AC. Category: (G) General (US: Trade). Dimension: 129 x 236 x 14. Weight in Grams: 134. 1964 Dover edition. Good clean copy with minor shelf wear, remains very good. 2011. paperback. . . . . …

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,200grams, ISBN:0486209415.

Taschenbuch. Zustand: Neu. Neuware - One of Western civilization's jealously guarded myths is that of Greek cultural supremacy. In this controversial study, William Ivins shows that the limitations of the Greek worldview actually hampered the development of the arts and sciences and gives a stimulating history of the new ideas of the Renaissance, especially in painting and geometry, that freed us from ancient misconceptions. Beginning with the Greeks, the author explains for the general reader the differences between ancient and Renaissance painting and sculpture, proving that the curiously static quality of Greek art arose from a misunderstanding of the laws of perspective. He then shows how this misunderstanding was corrected by Alberti, Pelerin, Durer, and other Renaissance artists who provided the first fruitful investigations of perspective. From there to projective geometry was but a step, and the author covers this major advance in our knowledge through the work of Nicholas of Cusa, Kepler, and Desargues. This book is perhaps the only concise history in English of the development of mathematical perspective and projective geometry. But the author's ability to relate styles in art to advances in geometry and his ingenious theory of the modern 'visual' worldview and the Greek 'tactile' worldview mean that his book will be provocative not only to mathematical historians but also to art historians and to anyone concerned with the history of thought, from philosopher to layman.…

Zustand: New. InhaltsverzeichnisrnrnIntroductionnI. EYE AND HANDnII. GREEK ARTnIII. GREEK GEOMETRYnIV. FROM THE GREEKS TO THE FIFTEENTH CENTURYnV. ALBERTInVI. FIFTEENTH AND SIXTEENTH CENTURY PERSPECTIVEnVII. CUSANUS AND KEPLERnVIII. DESARGUES AND PASCALnIX. .