Anbieter: World of Books (was SecondSale), Montgomery, IL, USA
Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
Sprache: Englisch
Verlag: Dover Publications, Incorporated, 2011
ISBN 10: 0486209415 ISBN 13: 9780486209418
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Sprache: Englisch
Verlag: Dover Publications, Incorporated, 2011
ISBN 10: 0486209415 ISBN 13: 9780486209418
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Paperback. Zustand: Like New. FIRST THUS. First Edition Thus, First Printing. Not price-clipped. Published by Dover Publications Inc, 1964. Octavo. Paperback. Book is like new. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: Very Good. Series: Dover Books on Art History S. Num Pages: 128 pages, illustrations. BIC Classification: AC. Category: (G) General (US: Trade). Dimension: 129 x 236 x 14. Weight in Grams: 134. Series: Dover Books on Art History S. Num Pages: 128 pages, illustrations. BIC Classification: AC. Category: (G) General (US: Trade). Dimension: 129 x 236 x 14. Weight in Grams: 134. 1964 Dover edition. Good clean copy with minor shelf wear, remains very good. 2011. paperback. . . . . Books ship from the US and Ireland.
Anbieter: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irland
Zustand: Very Good. Series: Dover Books on Art History S. Num Pages: 128 pages, illustrations. BIC Classification: AC. Category: (G) General (US: Trade). Dimension: 129 x 236 x 14. Weight in Grams: 134. Series: Dover Books on Art History S. Num Pages: 128 pages, illustrations. BIC Classification: AC. Category: (G) General (US: Trade). Dimension: 129 x 236 x 14. Weight in Grams: 134. 1964 Dover edition. Good clean copy with minor shelf wear, remains very good. 2011. paperback. . . . .
EUR 11,94
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. InhaltsverzeichnisrnrnIntroductionnI. EYE AND HANDnII. GREEK ARTnIII. GREEK GEOMETRYnIV. FROM THE GREEKS TO THE FIFTEENTH CENTURYnV. ALBERTInVI. FIFTEENTH AND SIXTEENTH CENTURY PERSPECTIVEnVII. CUSANUS AND KEPLERnVIII. DESARGUES AND PASCALnIX. .
Sprache: Englisch
Verlag: Dover Publications Nov 2011, 2011
ISBN 10: 0486209415 ISBN 13: 9780486209418
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - One of Western civilization's jealously guarded myths is that of Greek cultural supremacy. In this controversial study, William Ivins shows that the limitations of the Greek worldview actually hampered the development of the arts and sciences and gives a stimulating history of the new ideas of the Renaissance, especially in painting and geometry, that freed us from ancient misconceptions. Beginning with the Greeks, the author explains for the general reader the differences between ancient and Renaissance painting and sculpture, proving that the curiously static quality of Greek art arose from a misunderstanding of the laws of perspective. He then shows how this misunderstanding was corrected by Alberti, Pelerin, Durer, and other Renaissance artists who provided the first fruitful investigations of perspective. From there to projective geometry was but a step, and the author covers this major advance in our knowledge through the work of Nicholas of Cusa, Kepler, and Desargues. This book is perhaps the only concise history in English of the development of mathematical perspective and projective geometry. But the author's ability to relate styles in art to advances in geometry and his ingenious theory of the modern 'visual' worldview and the Greek 'tactile' worldview mean that his book will be provocative not only to mathematical historians but also to art historians and to anyone concerned with the history of thought, from philosopher to layman.