Sprache: Englisch
Verlag: Dutton Adult (edition First Edition), 1989
ISBN 10: 0453006698 ISBN 13: 9780453006699
Anbieter: BooksRun, Philadelphia, PA, USA
Erstausgabe
Hardcover. Zustand: Fair. First Edition. With dust jacket. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.
Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.
Hardcover. Zustand: Good. Zustand des Schutzumschlags: good. 2020 filed small bookcase file upstairs near directors bios.
Sprache: Englisch
Verlag: New York : New American Library, 1989
ISBN 10: 0453006698 ISBN 13: 9780453006699
Anbieter: MW Books, New York, NY, USA
Erstausgabe
First Edition. Fine cloth copy in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. ; 127 pages; Illustrated. Subjects: Warhol, Andy, 1928-1987 --Portraits. Warhol, Andy, 1928-1987 --Criticism and interpretation. 3 Kg.
Anbieter: Black Gull Books (P.B.F.A.), St Leonard's on Sea, Vereinigtes Königreich
Verbandsmitglied: PBFA
EUR 17,83
Anzahl: 1 verfügbar
In den Warenkorbhardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. Carefully wrapped on a protective acetate cover.
Sprache: Englisch
Verlag: New York : New American Library, 1989
ISBN 10: 0453006698 ISBN 13: 9780453006699
Anbieter: MW Books, New York, NY, USA
Erstausgabe
First Edition. An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. ; 127 pages; Description: 127 p. : ill. ; 27 cm. Subjects: Warhol, Andy (1928-1987) --Portraits. Warhol, Andy (1928-1987) --Criticism and interpretation. 3 Kg.
Sprache: Englisch
Verlag: New American Library, New York, 1988
ISBN 10: 0453006698 ISBN 13: 9780453006699
Anbieter: Antiquariat Hans Wäger, Werther, Deutschland
Halbleinen. Zustand: gut. Schutzumschlag etwas nachgedunkelt und mit einem kleinen hinterklebten Riss. In englischer Sprache. 128 S. pages. 26,5 x 21cm.
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. Text in English. 127 pp. Stain on the bottom page edges near spine end. Large inscription on the title page. Andy Warhol called Christopher Makos "the most modern photographer in America." He also called him one of his closest friends for the last fourteen years of his life. Here in 150 revealing black and white photographs- filled with Warhol, his world, and his celebrity friends-Christopher Makos shares with us that friendship and shows us, close up, a fascinating portrait of Andy Warhol. Glamorous, eye-opening, extraordinary, these photos show Warhol with such personalities as Debbie Harry (from the group Blondie), Warhol's favorite pop star, Mick Jagger, Salvador Dali, Georgia O'Keeffe Eugene lonesco, Bill Murray, John Denver, and Liza Minelli. Here is Warhol relaxed, Warhol mugging for the cameras, Warhol in drag, and Warhol in exotic, exciting places all over the world-from Beijing's Forbidden City to "The Factory" his famous studio on lower Broadway in Manhattan. Makos's informal, intimate commentary adds another dimension to "Mr. Mysterious, as the press called the enigmatic, very private Warhol. Wonderful details: Warhol's faithful attendance at Mass every Sunday; his garlic fad, which nearly drove his friends away; his fifty wigs; his tote bag filled with cosmetics; and his insistence on working every day, even on Christmas. The result is a remarkably complete, complex portrait of this avant-garde American artist. But it is the perception of Makos's camera and the stark beauty of his photographs that make this memoir so special and so delightful to discover. Also included are a Foreword by art critic Henry Geldzahler and an Introduction by Glenn Albin.