9780415919128 - Picturing Science, Producing Art (11 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. Picturing Science, Producing Art This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.

paperback. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1200grams, ISBN:9780415919128.

Condition: Fine, unread and excellent book; all pages pristine, cover excellent, no markings, no tears. // Between the disciplines of art history and the history of science lies a growing field of inquiry into what science and art share as both image-making and knowledge-producing activities. The contributors of Picturing Science, Producing Art occupy this intermediate zone to analyze both scientific and aesthetic representations, utilizing disciplinary perspectives that range from art history to sociology, history and philosophy of science to gender studies, cultural history to the philosophy of mind. Organized in five sites--Styles, The Body, Seeing Wonders, Objectivity/Subjectivity, and Cultures of Vision--their topics extend from Cinquecento theories of female reproduction to the technologies of cloning, from medieval depictions of the stigmata to electrical metaphors for sex, from astronomical drawings to radioencephalography, from Phoenician griffons carved in ivory to factories cast in concrete. The internationally renowned contributors go beyond both science wars and culture wars by exploring substantive links between systems of visual representation and knowledge in science and art. Contributors include Svetlana Alpers, Jonathan Crary, Arnold Davidson, Carlo Ginzburg, Donna Haraway, Bruno Latour, and Simon Schaffer. // x + 518 pages; format: 24,4 x 17,8 x 3,4 cm; Bookweight: 1150 g.

Zustand: New. In.

Paperback. Zustand: Good. Paperback Small Quarto. wraps, 518 pp front cover creased on the bottom right corner.

broschiert. Zustand: Sehr gut. 518 Seiten ; Ill. ; Sprache: English sehr guter Zustand, fast wie neu, wirkt ungelesen, leichte Lagerspuren am Einband, Stehkante und unterer Schnitt leicht bestoßen, kleine Bleistiftnotiz im Vorsatz Sprache: Englisch Gewicht in Gramm: 1150.

Zustand: New. This text looks into the growing field of inquiry into what science and art share as image-making and knowledge-producing activities. It utilizes disciplinary perspectives that range from art to sociology, gender studies, history and philosophy. Editor(s): Jones, Caroline A.; Galison, Peter. Num Pages: 608 pages, 70 b&w illustrations. BIC Classification: ABA; PDA. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 253 x 179 x 29. Weight in Grams: 934. . 1998. 1st Edition. paperback. . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. 1st edition. 528 pages. 10.25x7.25x1.25 inches. In Stock.