Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
EUR 3,44
Anzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.
Anbieter: Phatpocket Limited, Waltham Abbey, HERTS, Vereinigtes Königreich
EUR 8,22
Anzahl: 1 verfügbar
In den WarenkorbZustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
EUR 37,01
Anzahl: 1 verfügbar
In den WarenkorbZustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780415353885.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 89,73
Anzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. 1st edition. 166 pages. 9.75x7.00x0.50 inches. In Stock.
EUR 64,58
Anzahl: Mehr als 20 verfügbar
In den WarenkorbKartoniert / Broschiert. Zustand: New. Why has it taken so long to make computers work for the museum sector?And why are museums still having some of the same conversations about digital technology that they began back in the late 1960s?Does there continue to be a basic `incompa.
Sprache: Englisch
Verlag: Taylor & Francis Ltd Nov 2007, 2007
ISBN 10: 0415353882 ISBN 13: 9780415353885
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - Drawing upon a range of professional and theoretical sources, this book offers a history of museum computing. It attempts to explain a series of tensions between curatorship and the digital realm and reveals how the sector has experienced a broadening of participation, and a widening of creative horizons.