9780415319850 - Technology and Culture, The Film Reader (IN FOCUS--ROUTLEDGE FILM READERS) (7 Ergebnisse)

Zustand: Very Good. 1st Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:9780415319850.

Zustand: New. In.

Paperback. Zustand: Brand New. 1st edition. 152 pages. 9.00x6.00x0.25 inches. In Stock.

Zustand: New. Bringing together key theoretical texts on cinema technologies, this book explores the intertwined technologies of cinematic representation, reproduction, distribution and reception. It also locates the technological history of cinema as one component of an increasingly complex technological culture and covers various disciplines and perspectives. Editor(s): Utterson, Andrew. Series: In Focus: Routledge Film Readers. Num Pages: 168 pages, Illustrations. BIC Classification: APF. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College); (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 234 x 156 x 9. Weight in Grams: 249. . 2004. 1st Edition. paperback. . . . . Books ship from the US and Ireland.

Kartoniert / Broschiert. Zustand: New. Andrew Utterson is a Senior Lecturer in the Department of Media, Canterbury Christ Church University College, UK, where he is director of the degree in Digital Culture, Arts and Media. He has published on film theory, digital theory, and.

Taschenbuch. Zustand: Neu. Neuware - Technology and Culture: The Film Reader brings together key theoretical texts frommore than a century of writing on film and technology. It begins by exploring the intertwined technologies of cinematic representation, reproduction, distribution and reception, before locating the technological history of cinema as one component of an increasingly complex technological culture.The selected articles encompass a range of disciplines, perspectives and methodologies, reflecting the multiplicity of contemporary approaches to technology. They are grouped into four thematic sections, each with an introduction by the editor.Origins and Evolution - examines the lineage of cinema's machines, while challenging the received notion that cinema began with a discrete moment of inventionDefinitions and Determinism - redefines technology, moving beyond an isolated description of cinema's physical tools to consider the forces that play a part in shaping their form and functionProjections and Aesthetics - analyzes the exchange between cinematic and other technologies, in terms of cinema's capacity to reflect onand negotiate technologies other than its ownContexts and Consequences - situates the technologies of cinema within a broader framework, charting their engagement with the spheres of discourse at work within society.