Isbn: 9780415066983 - ingres then, and now (re visions) (6 Ergebnisse)

paperback. Zustand: Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Softcover. Zustand: Very Good. Zustand des Schutzumschlags: N/A. xii, 164pp; various in-text black and white photographs. Pictorial laminated light card covers. 8vo. Light chipping to edges and wear to covers, corners starting to curl. Bottom corners stained. Internally neat, clean, bright and tight.…

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780415066983.…

Zustand: New. Adrian Rifkin is Professor of Visual Culture and Media at Middlesex University. He is the author of Street Noises: Parisian Pleasure 1900-1940 (1993).Ingres Then, and Now is an innovative study of one of the best-known Fr.

Taschenbuch. Zustand: Neu. Neuware - 'Ingres Then, and Now' is an innovative study of one of the best-known French artists of the nineteenth century, Jean Auguste Dominique Ingres. Adam Rifkin reevaluates Ingres' work in the context of a variety of literary, musical and visual cultures which are normally seen as alien to him. Rifkin offers insightful interpretations of Ingres' early work, and follows the artist's image in the popular cultures of the twentieth century. Approaching Ingres' paintings as symptomatic of the commodity cultures of nineteenth-century Paris, he draws the artist away from his familiar association with the Academy and the Salon, and instead situates Ingres in the world of the Parisian Arcades. Finally, the book examines Ingres' importance for the great French art critic Jean Cassou, and makes a bold, contemporary gay appropriation of his work. 'Ingres Then, and Now' transforms the popular image we have of Ingres. Rifkin argues that the figure of the artist is neither fixed in time or place--there is neither an essential man named Ingres, nor a singular body of his work--but rather is an effect of many complex and overlapping historical forces. Lavishly illustrated with over 50 images, this compelling study will transform our understanding of Ingres and his cultural impact.…