ISBN: 9780413752901 - screen language: from film writing to film-making (screen and cinema) (16 Ergebnisse)

Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. Screen Language (Screen and Cinema) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

Softcover. Zustand: Bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Paperback. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780413752901. …

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780413752901.…

Soft cover. Zustand: Very Good. First Edition First Printing. Numbers are printed inside, 1 3 5 7 9 10 8 6 4 2. The first printing of the paperback edition.

Paperback. Zustand: New. By the former Head of Script at the National Film and Television School, this is a key text for anyone interested in film.In this invaluable and fascinating insight into the way the elements of a film - image, sound and story - are put together, Cherry Potter has used her extensive experience as a writer and film-school teacher to provide a combination of analysis and inspiration which will engage the thinking cinema-goer as well as aspiring screenwriters and film-makers.Using sequences from films as diverse as Wild Strawberries, The Lacemaker, For a Few Dollars More, Midnight Cowboy, The Cook, the Thief, His Wife and Her Lover and American Beauty, Potter examines the nature of film language, structure and storytelling, as well as departures from the classic form. A final section, which will be of particular interest to anyone who wishes to write, produce or direct films, looks at the imaginative process of generating film ideas and invites readers to explore their creativity by providing essential guidance and practical exercises."An excellently researched and perceptive book.I have not read a more intelligent and detailed appreciation of one of my own films" - John Schlesinger (director).…

1. Auflage. XIII, 274 S. Ill. Orig.-Broschur. - Rücken mit Lesespuren. Ansonsten gut erhaltenes Exemplar. Innen sauber.

Paperback. Zustand: Brand New. 272 pages. 8.25x5.25x1.00 inches. In Stock.

Zustand: Muy Bueno. Screen Language: From Film Writing to Film-Making, de Cherry Potter, es una obra esencial para quienes desean comprender el oficio de escribir para la pantalla y su posterior transformación en imágenes. El libro aborda la relación entre el guion y la dirección, ofreciendo claves prácticas para que el escritor visualice su historia y el realizador la interprete con sensibilidad narrativa. Con un enfoque didáctico y ejemplos concretos, esta edición en tapa blanda, publicada bajo el sello Screen and Cinema, resulta de gran utilidad para estudiantes de cine, guionistas y profesionales que buscan perfeccionar su lenguaje audiovisual. Aunque el contenido está en inglés, su valor pedagógico trasciende idiomas, convirtiéndolo en una referencia valiosa para cualquier persona interesada en la creación cinematográfica. Un libro que invita a reflexionar sobre cada decisión creativa, desde la página escrita hasta la pantalla final.…

Paperback. Zustand: New. By the former Head of Script at the National Film and Television School, this is a key text for anyone interested in film.In this invaluable and fascinating insight into the way the elements of a film - image, sound and story - are put together, Cherry Potter has used her extensive experience as a writer and film-school teacher to provide a combination of analysis and inspiration which will engage the thinking cinema-goer as well as aspiring screenwriters and film-makers.Using sequences from films as diverse as Wild Strawberries, The Lacemaker, For a Few Dollars More, Midnight Cowboy, The Cook, the Thief, His Wife and Her Lover and American Beauty, Potter examines the nature of film language, structure and storytelling, as well as departures from the classic form. A final section, which will be of particular interest to anyone who wishes to write, produce or direct films, looks at the imaginative process of generating film ideas and invites readers to explore their creativity by providing essential guidance and practical exercises."An excellently researched and perceptive book.I have not read a more intelligent and detailed appreciation of one of my own films" - John Schlesinger (director).…