9780375503399 - the shakespeare wars: clashing scholars, public fiascoes, palace coups von rosenbaum, ron (24 Ergebnisse)
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hardcover. Zustand: Fine copy in fine dust jacket. 2nd prt. 8vo, 601 pp.
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Hardcover. Zustand: Like New. First Edition. First Edition, First Printing. Not price-clipped. Published by Random House, 2006. Octavo. Hardcover. Book is like new. Dust jacket is like new with shelf/edgewear.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any… questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.
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Hardcover. Zustand: Like New. First Edition. First Edition, First Printing. Not price-clipped. Published by Random House, 2006. Octavo. Hardcover. Book is like new. Dust jacket is like new.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All book…s packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.
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Hardcover. Small 4to. Black paper over boards with gilt spine lettering, pictorial dust jacket. xvii, 601pp. Fine/fine. A superb and pristine first edition of this controversial study.
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Hardcover. Zustand: As NEW. First edition. Black boards quarterbound in paper of the same color. "Electrifying. A spectacular book." - Cynthia Ozick. New book.
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Second Impression: Hardback, black bds., gold titles, 160 x 240 mm., 1.1kg (extra postage), 601 pp., with Index, original, unclipped dw., Fine/Fine copy.
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Hardcover. Zustand: Very good. Zustand des Schutzumschlags: Very good. Second printing [stated]. 601, [5] pages. Bibliographic Notes. Index. Ronald Rosenbaum (born November 27, 1946) is an American literary journalist, literary critic, and novelist. Rosenbaum began his career as an editor of The Fire Island News and then wrote f…or The Village Voice for several years, leaving in 1975 after which he wrote for Esquire, Harper's, High Times, Vanity Fair, New York Times Magazine, and Slate. Rosenbaum spent more than ten years doing research on Adolf Hitler including travels to Vienna, Munich, London, Paris, and Jerusalem, interviewing leading historians, philosophers, biographers, theologians and psychologists. Some of those interviewed by Rosenbaum included Daniel Goldhagen, David Irving, Rudolph Binion, Claude Lanzmann, Hugh Trevor-Roper, Alan Bullock, Christopher Browning, George Steiner, and Yehuda Bauer. The result was his 1998 book, Explaining Hitler: The Search for the Origins of His Evil. In Explaining Hitler, Ron Rosenbaum recounted in detail the little-reported story of the efforts of anti-Hitler journalists at the Munich Post who, from 1920 to 1933, published repeated exposés on the criminal activities of the Nazis. In 1987, he began writing a weekly column for the New York Observer called "The Edgy Enthusiast". He wrote a column for Slate called "The Spectator". In The Shakespeare Wars, he wrote about recent controversies among literary historians, actors, and directors over how the works of William Shakespeare should be read, understood, and produced. Rosenbaum's account of the genesis of this book is that it arose out of his need to cure the depression into which he fell in the wake of the research and writing he did for Explaining Hitler: The Search for the Origins of His Evil. That book related his search among contemporary historians for an adequate explanation for Hitler's eviland the underlying tension between "exceptionalist" explanations (Hitler was off the grid of 'normal' human behavior) versus naturalist explanations (Hitler was at the end of, but within, a continuum of human behaviors). The work left Rosenbaum so drained and gloomy that the only antidote he could find was "to start walking around the city [New York] listening to Shakespeare tapes on a Walkman." When the cure became his next big project, he adopted a parallel approach, focusing on the tension between exceptionalist and naturalist accounts of Shakespeare's creativity. His own inclination is, in the matter of Shakespeare, exceptionalist. One has to invoke, he writes, "the boundary between physics and metaphysics in trying the characterize this strange experience of deepening into bottomlessness" with each new reading or performance. "[Ron Rosenbaum] is one of the most original journalists and writers of our time." David Remnick. In The Shakespeare Wars, Ron Rosenbaum gives readers an unforgettable way of rethinking the greatest works of the human imagination. As he did in his groundbreaking Explaining Hitler, he shakes up much that we thought we understood about a vital subject and renews our sense of excitement and urgency. He gives us a Shakespeare book like no other. Rather than raking over worn-out fragments of biography, Rosenbaum focuses on cutting-edge controversies about the true source of Shakespeare's enchantment and illuminationthe astonishing language itself. How best to unlock the secrets of its spell? With quicksilver wit and provocative insight, Rosenbaum takes readers into the midst of fierce battles among the most brilliant Shakespearean scholars and directors over just how to delve deeper into the Shakespearean experiencedeeper into the mind of Shakespeare. Was Shakespeare the one-draft wonder of Shakespeare in Love? Or was he ratheras an embattled faction of textual scholars now arguesa different kind of writer entirely: a conscientious reviser of his greatest plays? Must we then revise our way of reading, staging, and interpreting such works as Hamlet and King Lear? Rosenbaum pursues key partisans in these debates from the high tables of Oxford to a Krispy Kreme doughnut shop in a strip mall in the Deep South. He makes ostensibly arcane textual scholarship intensely seductiveand sometimes even explicitly sexual. At an academic "Pleasure Seminar" in Bermuda, for instance, he examines one scholar's quest to find an orgasm in Romeo and Juliet. Rosenbaum shows us great directors as Shakespearean scholars in their own right: We hear Peter Brookperhaps the most influential Shakespearean director of the past centurydisclose his quest for a "secret play" hidden within the Bard's comedies and dramas. We listen to Sir Peter Hall, founder of the Royal Shakespeare Company, as he launches into an impassioned, table-pounding fury while discussing how the means of unleashing the full intensity of Shakespeare's language has been lostand how to restore it. Rosenbaum's hilarious inside account of "the Great Shakespeare 'Funeral Elegy' Fiasco," a man-versus-computer clash, illustrates the iconic struggle to define what is and isn't "Shakespearean." And he demonstrates the way Shakespearean scholars such as Harold Bloom can become great Shakespearean characters in their own right. The Shakespeare Wars offers a thrilling opportunity to engage with Shakespeare's work at its deepest levels. Like Explaining Hitler, this book is destined to revolutionize the way we think about one of the overwhelming obsessions of our time. Nina Roberts (Author Photograph) (illustrator).
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Hardcover. Zustand: Brand New. 512 pages. 10.00x7.00x1.50 inches. In Stock.


