Isbn: 9780375414480 - nobody's perfect: selected writings from the new yorker (12 Ergebnisse)

Hardcover. Zustand: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. 1st. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. 1st. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Hardcover. Zustand: Very Good. First Edition. First Edition, First Printing. Not price-clipped. Published by Alfred A. Knopf, 2002. Octavo. Hardcover. Book is very good. Dust jacket is very good with shelf/edgewear.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.…

Hardcover. Zustand: good. Prompt Shipment, shipped in Boxes, Tracking PROVIDED; Good hard cover with dust jacket, tips bumped, nicked, deckled pages, and prompt shipping with tracking.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

hardcover. Zustand: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Hardcover. Sewn binding. Cloth over boards. xxv, [1], 752, [4] p. From Wikipedia: "Anthony Lane (born 1962) is a British journalist, currently a film critic for The New Yorker magazine. He worked as a freelance writer and book reviewer for The Independent, where he was appointed deputy literary editor in 1989. In 1991, Lane was appointed film critic for the Independent on Sunday. In 1993, Lane was asked by The New Yorker's then-editor, Tina Brown, to join the magazine as a film critic. Lane now shares the role with David Denby. He also contributes longer pieces on film subjects such as Alfred Hitchcock, Buster Keaton, and Grace Kelly as well as other aspects of literature (Ian Fleming and Patrick Leigh Fermor) and the arts (The Adventures of Tintin). A collection of 140 of his The New Yorker reviews, essays, and profiles was published in 2002 under the title Nobody's Perfect a nod to the final line of the film Some Like it Hot. A profile of the film's director, Billy Wilder, ends the book." Good in good dust jacket. Signed by author. DJ slightly cocked and shaken. DJ has some wear and soiling and sticker residue.…