9780367597429 - grétry's operas and the french public: from the old regime to the restoration (ashgate interdisciplinary studies in opera) von arnold, r.j. (4 Ergebnisse)
Sprache: Englisch
Verlag: Routledge, 2020
Serie: Buch 13 von 27 - Ashgate Interdisciplinary Studies in Opera
- Softcover
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Zustand: New. pp. 244.
Sprache: Englisch
Verlag: Taylor & Francis, 2020
Serie: Buch 13 von 27 - Ashgate Interdisciplinary Studies in Opera
- Softcover
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Paperback. Zustand: Brand New. 244 pages. 9.21x6.14x0.51 inches. In Stock.
Sprache: Englisch
Verlag: Taylor & Francis, 2020
Serie: Buch 13 von 27 - Ashgate Interdisciplinary Studies in Opera
- Softcover
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Zustand: New. R.J. Arnold is an associate research fellow at Birkbeck, University of London. His research covers many aspects of the cultural history of France in the eighteenth and early nineteenth centuries, most recently focusing on the formation of musical taste, and.
Sprache: Englisch
Verlag: Taylor & Francis Ltd Jun 2020, 2020
Serie: Buch 13 von 27 - Ashgate Interdisciplinary Studies in Opera
- Softcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
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Taschenbuch. Zustand: Neu. Neuware - Why, in the dying days of the Napoleonic Empire, did half of Paris turn out for the funeral of a composer The death of André Ernest Modeste Grétry in 1813 was one of the sensations of the age, setting off months of tear-stained commemorations, reminiscences and revivals of his work. To unders…tand this singular event, this interdisciplinary study looks back to Grétry's earliest encounters with the French public during the 1760s and 1770s, seeking the roots of his reputation in the reactions of his listeners. The result is not simply an exploration of the relationship between a musician and his audiences, but of developments in musical thought and discursive culture, and of the formation of public opinion over a period of intense social and political change. The core of Grétry's appeal was his mastery of song. Distinctive, direct and memorable, his melodies were exported out of the opera house into every corner of French life, serving as folkloristic tokens of celebration and solidarity, longing and regret. Grétry's attention to the subjectivity of his audiences had a profound effect on operatic culture, forging a new sense of democratic collaboration between composer and listener. This study provides a reassessment of Grétry's work and musical thought, positioning him as a major figure who linked the culture of feeling and the culture of reason - and who paved the way for Romantic notions of spectatorial absorption and the power of music.
