ISBN: 9780333659397 - vision and rhetoric in shakespeare: looking through language (7 Ergebnisse)

Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Zustand: Very Good. Zustand des Schutzumschlags: Very Good. London: MacMillan Press, 2000. First Edition with full numberline. Octavo (22.2cm); illustrated dust jacket over black cloth boards with gilt lettering to spine; xvi,290pp; b&w illus. Jacket shelfworn with a few scratches and impressions to front panel, some general dust-soiling, and sticker residue over UPC on rear. Boards a bit bumped at corners and spine ends. A couple pages towards rear creased from hasty closure. Binding sound and pages unmarked. Not ex-library. Published simultaneously by St Martin's Press in the US.…

Zustand: New. In English.

Hardcover. Zustand: Brand New. 290 pages. 8.27x5.75x1.02 inches. In Stock.

Zustand: New. This interdisciplinary study argues that Shakespeare exploited long-established connections between vision, space and language in order to construct rhetorical equivalents for visual perspective. Num Pages: 290 pages, biography. BIC Classification: 2AB; DSGS. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 203 x 127 x 25. Weight in Grams: 612. . 2000. 2000th Edition. hardcover. . . . . Books ship from the US and Ireland.…

Gebunden. Zustand: New. Alison Thorne is Lecturer in English Studies at the University of Strathclyde.This major new interdisciplinary study argues that Shakespeare exploited long-established connections between vision, space and language in order to construct rhetorical e.

Buch. Zustand: Neu. Neuware - This major new interdisciplinary study argues that Shakespeare exploited long-established connections between vision, space and language in order to construct rhetorical equivalents for visual perspective. Through a detailed comparison of art and poetic theory in Italy and England, Thorne shows how perspective was appropriated by English writers, who reinterpreted it to suit their own literary concerns and cultural context. Focusing on five Shakespearean plays, she situates their preoccupation with issues of viewpoint in relation to a range of artistic forms and topics from miniatures to masques.…