Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USA
Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Anbieter: World of Books (was SecondSale), Montgomery, IL, USA
Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
Anbieter: Books From California, Simi Valley, CA, USA
paperback. Zustand: Good. Cover shows staining, dirt and minor shelf wear. Pages are clean, text and pictures are intact and unmarred. Binding intact and firm. Good reading copy.
Anbieter: HR1 Books, Hereford, Vereinigtes Königreich
EUR 9,91
Anzahl: 1 verfügbar
In den Warenkorbpaperback. Zustand: Very Good. Same / next day dispatch (Monday - Friday),
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
EUR 20,99
Anzahl: 1 verfügbar
In den WarenkorbZustand: New. pp. 336.
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. 2016. Paperback. . . . . . Books ship from the US and Ireland.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 32,99
Anzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. reprint edition. 327 pages. 8.00x5.20x0.75 inches. In Stock.
Sprache: Englisch
Verlag: Knopf Doubleday Publishing Group, 2016
ISBN 10: 0307745341 ISBN 13: 9780307745347
Anbieter: moluna, Greven, Deutschland
EUR 22,51
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. TINA PACKER is the founding artistic director of Shakespeare & Company in Lenox, Massachusetts. She has directed most of Shakespeare&rsquos plays, acted in seven, and taught the entire canon at multiple colleges and universities, among them Harvard, MI.
Anbieter: Buchpark, Trebbin, Deutschland
Zustand: Gut. Zustand: Gut | Seiten: 352 | Sprache: Englisch | Produktart: Bücher | Women of Will is a fierce and funny exploration of Shakespeare's understanding of the feminine. Tina Packer, one of our foremost Shakespeare experts, shows that Shakespeare began, in his early comedies, by writing women as shrews to be tamed or as sweet little things with no independence of thought. The women of the history plays are much more interesting, beginning with Joan of Arc. Then, with the extraordinary Juliet, there is a dramatic shift: suddenly Shakespeare's women have depth, motivation, and understanding of life more than equal to that of the men. As Shakespeare ceases to write women as predictable caricatures and starts writing them from the inside, his women become as dimensional, spirited, spiritual, active, and sexual as any of his male characters. Wondering if Shakespeare had fallen in love (Packer considers with whom, and what she may have been like), the author observes that from Juliet on, Shakespeare's characters demonstrate that when women and men are equal in status and passion, they can-and do-change the world.