Isbn: 9780306833373 - pretend we're dead: the rise, fall, and resurrection of women in rock in the ’90s (22 Ergebnisse)

Hardback. Zustand: Like New. "A refreshing and much-needed contribution to the male-dominated history of rock 'n' roll."--Kirkus Reviews From the founder of the Women of Rock Oral History Project, an exploration of women in the '90s rock scene, featuring original interviews with Liz Phair, Shirley Manson, Kristin Hersh, Donita Sparks, Tanya Donelly, members of Hole, Luscious Jackson, Veruca Salt, Babes in Toyland, and more In 2018, during an interview with journalist Tanya Pearson, Shirley Manson lamented: "It's a blanket fact that after September 11th, nonconformist women were taken off the radio." This comment echoed a reality Pearson had personally witnessed as a musician and a fan, and launched her into a quest to figure out just what happened to these extraordinary female figures. PRETEND WE'RE DEAD seeks to answer two big questions: First, where did all these wildly different, politically conscious, and supremely talented women in rock come from in the 1990s? And second, after their unprecedented breakout, why did they vanish from the mainstream by the early aughts? Along with analysis and narrative, PRETEND WE'RE DEAD is built on exclusive interviews with the unfiltered voices of legends including: Shirley Manson, Melissa Auf der Maur, Patty Schemel, Kate Schellenbach, Nina Gordon, Louise Post, Josephine Wiggs, Tanya Donelly, Kristin Hersh, Tracy Bonham, Donita Sparks, Liz Phair, Zia McCabe, Tracy Bonham, Lori Barbero, Josephine Wiggs, and Jill Emery. Through thought-provoking conversations, these women explore how they fell in love with music and started bands; fought labels, their coverage in the media, and sexism; and wrote deeply political and feminist music. Readers also learn about the effects of Woodstock '99, the corporatization of the music industry, the rise of Clear Channel and its ties to the Bush administration, and finally the nationalist sentiment after 9/11.    While sonically diverse, these musicians all wrote fierce, socially conscious, feminist lyrics, and PRETEND WE'RE DEAD commemorates and celebrates the overlooked contributions of true trailblazers. …

Hardback. Zustand: Very Good. "A refreshing and much-needed contribution to the male-dominated history of rock 'n' roll."--Kirkus Reviews From the founder of the Women of Rock Oral History Project, an exploration of women in the '90s rock scene, featuring original interviews with Liz Phair, Shirley Manson, Kristin Hersh, Donita Sparks, Tanya Donelly, members of Hole, Luscious Jackson, Veruca Salt, Babes in Toyland, and more In 2018, during an interview with journalist Tanya Pearson, Shirley Manson lamented: "It's a blanket fact that after September 11th, nonconformist women were taken off the radio." This comment echoed a reality Pearson had personally witnessed as a musician and a fan, and launched her into a quest to figure out just what happened to these extraordinary female figures. PRETEND WE'RE DEAD seeks to answer two big questions: First, where did all these wildly different, politically conscious, and supremely talented women in rock come from in the 1990s? And second, after their unprecedented breakout, why did they vanish from the mainstream by the early aughts? Along with analysis and narrative, PRETEND WE'RE DEAD is built on exclusive interviews with the unfiltered voices of legends including: Shirley Manson, Melissa Auf der Maur, Patty Schemel, Kate Schellenbach, Nina Gordon, Louise Post, Josephine Wiggs, Tanya Donelly, Kristin Hersh, Tracy Bonham, Donita Sparks, Liz Phair, Zia McCabe, Tracy Bonham, Lori Barbero, Josephine Wiggs, and Jill Emery. Through thought-provoking conversations, these women explore how they fell in love with music and started bands; fought labels, their coverage in the media, and sexism; and wrote deeply political and feminist music. Readers also learn about the effects of Woodstock '99, the corporatization of the music industry, the rise of Clear Channel and its ties to the Bush administration, and finally the nationalist sentiment after 9/11.    While sonically diverse, these musicians all wrote fierce, socially conscious, feminist lyrics, and PRETEND WE'RE DEAD commemorates and celebrates the overlooked contributions of true trailblazers.…

Hardback. Zustand: Good. "A refreshing and much-needed contribution to the male-dominated history of rock 'n' roll."--Kirkus Reviews From the founder of the Women of Rock Oral History Project, an exploration of women in the '90s rock scene, featuring original interviews with Liz Phair, Shirley Manson, Kristin Hersh, Donita Sparks, Tanya Donelly, members of Hole, Luscious Jackson, Veruca Salt, Babes in Toyland, and more In 2018, during an interview with journalist Tanya Pearson, Shirley Manson lamented: "It's a blanket fact that after September 11th, nonconformist women were taken off the radio." This comment echoed a reality Pearson had personally witnessed as a musician and a fan, and launched her into a quest to figure out just what happened to these extraordinary female figures. PRETEND WE'RE DEAD seeks to answer two big questions: First, where did all these wildly different, politically conscious, and supremely talented women in rock come from in the 1990s? And second, after their unprecedented breakout, why did they vanish from the mainstream by the early aughts? Along with analysis and narrative, PRETEND WE'RE DEAD is built on exclusive interviews with the unfiltered voices of legends including: Shirley Manson, Melissa Auf der Maur, Patty Schemel, Kate Schellenbach, Nina Gordon, Louise Post, Josephine Wiggs, Tanya Donelly, Kristin Hersh, Tracy Bonham, Donita Sparks, Liz Phair, Zia McCabe, Tracy Bonham, Lori Barbero, Josephine Wiggs, and Jill Emery. Through thought-provoking conversations, these women explore how they fell in love with music and started bands; fought labels, their coverage in the media, and sexism; and wrote deeply political and feminist music. Readers also learn about the effects of Woodstock '99, the corporatization of the music industry, the rise of Clear Channel and its ties to the Bush administration, and finally the nationalist sentiment after 9/11.    While sonically diverse, these musicians all wrote fierce, socially conscious, feminist lyrics, and PRETEND WE'RE DEAD commemorates and celebrates the overlooked contributions of true trailblazers. …

Hardcover. Zustand: New. Hardcover. Publisher overstock, may contain remainder mark on edge.

Hardcover. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Brand New. 320 pages. 9.00x6.00x9.10 inches. In Stock.

Hardcover. Zustand: Brand New. 320 pages. 9.00x6.00x9.10 inches. In Stock.

Hardcover. Zustand: Brand New. 320 pages. 9.00x6.00x9.10 inches. In Stock.

Hardcover. Zustand: Brand New. 320 pages. 9.00x6.00x9.10 inches. In Stock.

Zustand: New.

Zustand: New. 2025. hardcover. . . . . . Books ship from the US and Ireland.

Zustand: New.

hardcover. Zustand: New.

Buch. Zustand: Neu. Neuware -'A refreshing and much-needed contribution to the male-dominated history of rock 'n' roll.'--Kirkus ReviewsFrom the founder of the Women of Rock Oral History Project, an exploration of women in the '90s rock scene, featuring original interviewswithLiz Phair, Shirley Manson, Kristin Hersh, Donita Sparks, Tanya Donelly, members of Hole, Luscious Jackson, Veruca Salt, Babes in Toyland, and more In 2018, during an interviewwith journalist Tanya Pearson, Shirley Mansonlamented: 'It's a blanket fact that after September 11th, nonconformist women were taken off the radio." This commentechoeda reality Pearson had personally witnessed as a musician and a fan, and launched her into a quest to figure out just what happened tothese extraordinary female figures.PRETEND WE'RE DEADseeks to answer two big questions: First, where did all these wildly different, politically conscious, and supremely talented women in rock come from in the 1990s And second, after their unprecedented breakout,whydid they vanish from the mainstream by the early aughts Along with analysis and narrative,PRETEND WE'RE DEADis built on exclusive interviews with the unfiltered voices of legends including: Shirley Manson, Melissa Auf der Maur, Patty Schemel, Kate Schellenbach, Nina Gordon, Louise Post, Josephine Wiggs, Tanya Donelly, Kristin Hersh, Tracy Bonham, Donita Sparks, Liz Phair, Zia McCabe, Tracy Bonham, Lori Barbero, Josephine Wiggs, and Jill Emery.Throughthought-provoking conversations,these womenexplore how they fell in love with music and started bands; fought labels, their coverage in the media, and sexism; and wrote deeply political and feminist music. Readers alsolearn about the effects of Woodstock '99, the corporatization of the music industry, the rise of Clear Channel and its ties to the Bush administration, and finally the nationalist sentiment after 9/11. While sonically diverse,thesemusicians all wrote fierce, socially conscious, feminist lyrics, andPRETEND WE'RE DEADcommemoratesand celebratesthe overlooked contributions oftrue trailblazers.Petersen Buchimport GmbH, Weidestraße 122 a, 22083 Hamburg 248 pp. Englisch.…

Buch. Zustand: Neu. Pretend We're Dead | The Rise, Fall, and Resurrection of Women in Rock in the '90s | Tanya Pearson | Buch | Gebunden | Englisch | 2025 | Hachette Book Group USA | EAN 9780306833373 | Verantwortliche Person für die EU: Petersen Buchimport GmbH, Vertrieb, Weidestr. 122a, 22083 Hamburg, gpsr[at]petersen-buchimport[dot]com | Anbieter: preigu.…

Buch. Zustand: Neu. Neuware -'A refreshing and much-needed contribution to the male-dominated history of rock 'n' roll.'--Kirkus ReviewsFrom the founder of the Women of Rock Oral History Project, an exploration of women in the '90s rock scene, featuring original interviewswithLiz Phair, Shirley Manson, Kristin Hersh, Donita Sparks, Tanya Donelly, members of Hole, Luscious Jackson, Veruca Salt, Babes in Toyland, and more In 2018, during an interviewwith journalist Tanya Pearson, Shirley Mansonlamented: 'It's a blanket fact that after September 11th, nonconformist women were taken off the radio." This commentechoeda reality Pearson had personally witnessed as a musician and a fan, and launched her into a quest to figure out just what happened tothese extraordinary female figures.PRETEND WE'RE DEADseeks to answer two big questions: First, where did all these wildly different, politically conscious, and supremely talented women in rock come from in the 1990s And second, after their unprecedented breakout,whydid they vanish from the mainstream by the early aughts Along with analysis and narrative,PRETEND WE'RE DEADis built on exclusive interviews with the unfiltered voices of legends including: Shirley Manson, Melissa Auf der Maur, Patty Schemel, Kate Schellenbach, Nina Gordon, Louise Post, Josephine Wiggs, Tanya Donelly, Kristin Hersh, Tracy Bonham, Donita Sparks, Liz Phair, Zia McCabe, Tracy Bonham, Lori Barbero, Josephine Wiggs, and Jill Emery.Throughthought-provoking conversations,these womenexplore how they fell in love with music and started bands; fought labels, their coverage in the media, and sexism; and wrote deeply political and feminist music. Readers alsolearn about the effects of Woodstock '99, the corporatization of the music industry, the rise of Clear Channel and its ties to the Bush administration, and finally the nationalist sentiment after 9/11. While sonically diverse,thesemusicians all wrote fierce, socially conscious, feminist lyrics, andPRETEND WE'RE DEADcommemoratesand celebratesthe overlooked contributions oftrue trailblazers. 248 pp. Englisch.…