Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
EUR 9,88
Anzahl: 1 verfügbar
In den WarenkorbZustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
EUR 5,68
Anzahl: 1 verfügbar
In den WarenkorbZustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9780300099515.
Anbieter: Dan Pope Books, West Hartford, CT, USA
Erstausgabe
Soft cover. Zustand: Fine. 1st Edition. Trade Paperback. First Edition. First printing. 8vo. Frontis., 112 pp., illus. With 238 illustrations, 154 in color. Part of the Monographics series edited by Rick Poynor. A nice clean copy.
Sprache: Englisch
Verlag: New Haven, CT: Yale University Press, 2003
ISBN 10: 0300099517 ISBN 13: 9780300099515
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Zustand: Good. 2nd Edition. First published in Great Britian in 2003 by Laurence King Publishing, London. 8vo. Soft Covers. Front and back covers slightly scuffed. Very Good. 112 pages.Color plates. Part of their Monographics Series.Synopsis:The first appraisal of one of America's most creative designers of film titlesKyle Cooper is acclaimed as the most innovative and important designer of film titles since Saul Bass. This attractive and informative book offers the first critical and historical assessment of Cooper's impressive design achievements. In this book, Andrea Codrington relates that Cooper's work first garnered major attention in 1995 with his creation of the extraordinary title sequence for the horror thriller Seven, which is credited with bringing about a renaissance in innovative film title design. Seven's titleswere touted as short films in their own right?not merely a "design solution" but a metaphorical representation of the film as a whole. Codrington also discusses Cooper's work at the titles specialist R/Greenberg before he founded in 1996 his own Los Angeles based company, Imaginary Forces. As creative director there, Cooper now oversees a ninety-person team and has designed a stunning succession of highly regarded titles for such films as Eraser, Mission Impossible, Twister, The Mummy, The Horse Whisperer, The Negotiator, and Arlington Road. Kyle Cooper isessential reading for anyone engaged with graphic design, film, and visual communication.