ISBN: 9780300093605 - thomas struth 1977-2002 (14 Ergebnisse)

Hardback. Zustand: Fair. An exploration of the photographs of Thomas Struth. It accompanies a retrospective exhibition organized by the Dallas Museum of Art, and features essays which chronicle Struth's career and situate his work in the context of the history of photography and its rise in contemporary art.…

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. Used photography book in very good condition. Jacket is faded with sun damage with minor wear otherwise. There are minor bumps/wear at edges/corners of book. Pages are clean and bright with full color images. Spine is straight and tight.…

hardcover. Zustand: Used-Very Good. dj. First Edition. Cloth, dj., large, square 4to. Illus. Slight wear to dj.

Hardcover. Zustand: Good.

Zustand: Good. First Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Zustand: Gut. 189 S. : überw. Ill. ; 25 cm Minimale Gebrauchsspuren, sonst sehr gut erhalten. Mit original Schutzumschlag. No shipping to other EU countries due to the EU Packaging and Packaging Waste Regulation (PPWR), which entered into force on August 12, 2026. Sprache: Englisch Gewicht in Gramm: 2101 Querformat, Gewebe, gebundene Ausgabe. …

First Edition. First edition and first printing. Oblong hardcover. 189 pages. A major monograph on this important German photographer who was a student of the Becher's. Published in conjunction with a traveling show that started in Dallas and went on to Los Angeles, New York and Chicago. Features essays by Douglas Eklund, Ann Goldstein, Maria Morris Hambourg, and Charles Wylie. Includes numerous color and black and white images, checklist, list of previous exhibitions, selected bibliography, and an index. A clean and tight very near fine copy in cloth boards and in a very near fine dust jacket.…

Hard Cover. Zustand: Fine. Zustand des Schutzumschlags: Fine. This is a fine hardcover copy with a fine dust jacket. Completely clean. This monograph was prepared tp accompany the exhibition at the Dallas Museum of Art from May 12 to August 18, 2002. Essays by Douglas Eklund, Ann Goldstein, Maria Morris Hambourg, and Charles Wylie. Illustrated in color and black & white with over 100 of Thomas Struth's photographs. 12" high X 13" wide,189 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.…

Cloth. Zustand: Fine Condition. Fine Condition. First Edition. 189 pages. Hardcover. Texts in English. Crisp, tight, sharp and clean condition copy, with a bright jacket now encased in a Mylar sleeve. 97 photographs 30 duotone 67 four color plates. First edition. Published on the occasion of the exhibition from the Dallas Museum of Art, Dallas TX May 12-August 18, 2002, The Museum of Contemporary Art, Los Angeles CA September 15, 2002-January 5, 2003, The Metropolitan Museum of Art, New York NY February 4-May 18, 2003, and The Museum of Contemporary Art, Chicago IL June 28-September 28, 2003. A Schirmer / Mosel production, this is the English language edition. Distributed by Yale University Press. Grey cloth with blue stamped letters to the spine and cover. Includes list of plates, checklist of the exhibition, lenders, biography, selected exhibitions, selected bibliography, index, and artist's acknowledgments. Book.…

190 S., 101 Tafeln in Farbe und Novatone. 1. Auflage. Katalog anlässlich der Ausstellung im Dallas Museum of Art, 12.05.-18.08.2002 und anderen. Sehr gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 2100 30,5 x 32,5 cm. Orig.-Leinen mit Orig.-Umschlag (Umschlag mit Lichtrand).

Hardcover. Zustand: Fine. Near Fine. 1st Edition. First edition thus (English). Hardcover. Cloth, with dust jacket. Photographs by Thomas Struth. Essays by Douglas Eklund, Ann Goldstein, Maria Morris Hambourg and Charles Wylie. 164 pp., with 60 four-color and 37 duotone plates and additional color and black and white reference illustrations. 11-3/4 x 12-3/4 inches. Includes an announcement card for the exhibition at the Dallas Museum of Art. Published on the occasion of the 2002 exhibition Thomas Struth: 1977-2002, curated by Charles Wylie, at the Dallas Museum of Art (travels to the Museum of Contemporary Art, Los Angeles, The Metropolitan Museum of Art, New York and the Museum of Contemporary Art, Chicago). Fine in Near Fine dust jacket (slight bump to upper left corner, else Fine; spine of dust jacket lightly sunned, else Fine). From the publisher: "Thomas Struth (b. 1954) is one of the most compelling artists using photography today. Coming to prominence in his native Germany in the 1970s, Struth captured the atmospheric power of the contemporary urban landscape in his early black and white works. With an intent gaze and exacting lens, Struth expanded his range to include color portraits, bringing a unique psychological precision to the tradition of portraiture. Perhaps Struth's best-known works are his majestic, large-scaled museum photographs depicting visitors to some of the world's great museums and buildings, including The Art Institute of Chicago, the Musée du Louvre in Paris, the Accademia in Venice, and the Pantheon in Rome. These captivating photographs not only transport us to the place depicted, they also provide a chance to reexamine our own selves looking at art. Continuing his interest in series, Struth has recently created expansive works based on the natural world, often training his camera on a particular contemporary melding of nature with technology and architecture. This handsomely designed and produced volume is the most comprehensive book to date on the photographs of Thomas Struth and accompanies a major retrospective exhibition organized by the Dallas Museum of Art. Engaging essays by well-known photography and art experts chronicle Struth's career and situate his work in the context of the history of photography and its rise in contemporary art.".…

Hardcover. Zustand: Near Fine. Near Fine. 1st Edition. First edition thus (English). Hardcover. Cloth, with dust jacket. Photographs by Thomas Struth. Essays by Douglas Eklund, Ann Goldstein, Maria Morris Hambourg and Charles Wylie. 164 pp., with 60 four-color and 37 duotone plates and additional color and black and white reference illustrations. 11-3/4 x 12-3/4 inches. Published on the occasion of the 2002 exhibition Thomas Struth: 1977-2002, curated by Charles Wylie, at the Dallas Museum of Art (travels to the Museum of Contemporary Art, Los Angeles, The Metropolitan Museum of Art, New York and the Museum of Contemporary Art, Chicago). Near Fine in Near Fine dust jacket (corners lightly bumped, not affecting text block, else Fine). From the publisher: "Thomas Struth (b. 1954) is one of the most compelling artists using photography today. Coming to prominence in his native Germany in the 1970s, Struth captured the atmospheric power of the contemporary urban landscape in his early black and white works. With an intent gaze and exacting lens, Struth expanded his range to include color portraits, bringing a unique psychological precision to the tradition of portraiture. Perhaps Struth's best-known works are his majestic, large-scaled museum photographs depicting visitors to some of the world's great museums and buildings, including The Art Institute of Chicago, the Musée du Louvre in Paris, the Accademia in Venice, and the Pantheon in Rome. These captivating photographs not only transport us to the place depicted, they also provide a chance to reexamine our own selves looking at art. Continuing his interest in series, Struth has recently created expansive works based on the natural world, often training his camera on a particular contemporary melding of nature with technology and architecture. This handsomely designed and produced volume is the most comprehensive book to date on the photographs of Thomas Struth and accompanies a major retrospective exhibition organized by the Dallas Museum of Art. Engaging essays by well-known photography and art experts chronicle Struth's career and situate his work in the context of the history of photography and its rise in contemporary art.".…

Ecklund, Douglas, Ann Goldstein, Maria Morris Hambourg and Charles Wylie. THOMAS STRUTH 1977-2002. 190 pp., with 67 color and 34 b&w plates. Oblong 4to, cloth. Dallas, Museum of Art in association with New Haven and London, Yale University Press, 2002. The most comprehensive book to date on this contemporary German photographer, and it accompanies a major exhibition opening at the Dallas Museum of Art, travelling subsequently to MOCA in Los Angeles and the Metropolitan Museum of Art in New York.…

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. First edition thus (English). Hardcover. Cloth, with dust jacket. Photographs by Thomas Struth. Essays by Douglas Eklund, Ann Goldstein, Maria Morris Hambourg and Charles Wylie. 164 pp., with 60 four-color and 37 duotone plates and additional color and black and white reference illustrations. 11-3/4 x 12-3/4 inches. Includes an announcement card for the exhibition at the Dallas Museum of Art. Published on the occasion of the 2002 exhibition Thomas Struth: 1977-2002, curated by Charles Wylie, at the Dallas Museum of Art (travels to the Museum of Contemporary Art, Los Angeles, The Metropolitan Museum of Art, New York and the Museum of Contemporary Art, Chicago). Fine in Fine dust jacket. From the publisher: "Thomas Struth (b. 1954) is one of the most compelling artists using photography today. Coming to prominence in his native Germany in the 1970s, Struth captured the atmospheric power of the contemporary urban landscape in his early black and white works. With an intent gaze and exacting lens, Struth expanded his range to include color portraits, bringing a unique psychological precision to the tradition of portraiture. Perhaps Struth's best-known works are his majestic, large-scaled museum photographs depicting visitors to some of the world's great museums and buildings, including The Art Institute of Chicago, the Musée du Louvre in Paris, the Accademia in Venice, and the Pantheon in Rome. These captivating photographs not only transport us to the place depicted, they also provide a chance to reexamine our own selves looking at art. Continuing his interest in series, Struth has recently created expansive works based on the natural world, often training his camera on a particular contemporary melding of nature with technology and architecture. This handsomely designed and produced volume is the most comprehensive book to date on the photographs of Thomas Struth and accompanies a major retrospective exhibition organized by the Dallas Museum of Art. Engaging essays by well-known photography and art experts chronicle Struth's career and situate his work in the context of the history of photography and its rise in contemporary art.".…