Sprache: Englisch
Verlag: National Gallery Washington, 1997
ISBN 10: 0300073313 ISBN 13: 9780300073317
Anbieter: Zubal-Books, Since 1961, Cleveland, OH, USA
Zustand: New. 248 pp., hardcover, NEW in a NEW dust jacket. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.
Sprache: Englisch
Verlag: National Gallery Washington, 1997
ISBN 10: 0300073313 ISBN 13: 9780300073317
Anbieter: Mooney's bookstore, Den Helder, Niederlande
Zustand: Very good.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 105,24
Anzahl: 1 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. 237 pages. 11.75x9.75x1.00 inches. In Stock.
Sprache: Englisch
Verlag: National Gallery Washington, 1997
ISBN 10: 0300073313 ISBN 13: 9780300073317
Anbieter: Leopolis, Kraków, Polen
Hardcover. Zustand: Fine. 4to (29 cm), X, 238 pp. Publisher's cloth with dust jacket (minor shelf wear, bookplate). This volume serves as the catalogue for the exhibition at the National Gallery of Art, Washington, D.C., held from 2 November 1997 to 1 March 1998. Recognized as the greatest Venetian painter after Titian, Lorenzo Lotto (c. 1480-1556) is celebrated for his distinctive and highly personal artistic vision, which has resonated strongly with modern audiences. The book provides a comprehensive examination of Lotto's life and work, emphasizing how his formal and iconographic innovations set him apart from the dominant artistic trends of his time. It presents his paintings across all major genres--including devotional works, altarpieces, portraits, and mythological compositions--arranged chronologically from his early apprenticeship under Giovanni Bellini through the masterpieces of his mature period, concluding with his later works produced in a religious community on the Adriatic coast. Leading scholars, including David Alan Brown, Peter Humfrey, and Mauro Lucco, draw on extensive primary sources--Lotto's letters to a Bergamo confraternity, his will, and detailed account books--to illuminate his biography, artistic influences, mastery of allegory, possible affinities with the Protestant Reformation, his patrons, and the so-called 'Lotto carpets' depicted in his compositions.