9780300063813 - Albion's Classicism: The Visual Arts in Britain, 1550-1660 (Studies in British Art (Yale Univ Pr), 2, Band 2) von Paul Mellon Centre For Studies In British Art; Yal... (9 Ergebnisse)

Zustand: Very Good. Picture Shown is For Illustration Purposes Only, Please See Below For Further DetailsCONDITION ? VERY GOOD ? HARDBACK - protective sleeve to jacket, light wear and scuff marks to jacket, light grub to fore edges, pages in nice condition, shipped from the UK.

Zustand: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. A clean, tight copy. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Visual arts in Britain between 1550 and 1650 have long been considered part of the classical Italian Renaissance canon. Now a distinguished group of scholars demonstrates that attitudes to classical art were in fact somewhat ambivalent during this period in Britain (or, as it is called poetically, Albion). For town halls and funeral monuments, for paintings and theatrical works, British artists, patrons, and builders made informed choices from the classical vocabulary while continuing to work within systems and circumstances quite distinct from those of classicism. The authors focus on the ways that local influences, habits, and visual sensibilities interacted with classicism and the work and methods of such masters as Inigo Jones in the evolution of British art, architecture, and literature in this era. Introduced and edited by Lucy Gent, this handsome book was written by contributors who come from the fields of history, art and architectural history, literary criticism, and emblematics. The book consists of essays by Lisa Jardine, Maurice Howard, Deborah Howard, Michael Bath, Paula Henderson, Nigel Llewellyn, Susan Foister, Margaret Aston, Keith Thomas, Christy Anderson, Ellen Chirelstein, Thomas Greene, Sasha Roberts, Alice Friedman, Gloria Kury, and Catherine Belsey. viii, 470 p. : ill. ; 27 cm. First edition, first printing. Grey cloth boards, unclipped dust jacket (now in a removable protective sleeve). Old tape repair to verso at head of spine, shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.

Zustand: New. These essays show how unpredictable attitudes to classical art turn out to be in Britain during the period 1550-1650. They aim to show how British artists, patrons and builders made informed choices from the classical vocabulary while working within systems distinct from those of classicism. Editor(s): Gent, Lucy. Series: The Paul Mellon Centre for Studies in British Art. Num Pages: 478 pages, 200 b&w illustrations. BIC Classification: 1DBKE; 3JB; 3JD; ACN. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 254 x 178 x 38. Weight in Grams: 1650. . 1996. Hardcover. . . . . Books ship from the US and Ireland.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Hardcover. Zustand: Brand New. 470 pages. 10.50x7.50x1.50 inches. In Stock.