9780300063356 - Impressionism in Britain von McConkey, Kenneth (12 Ergebnisse)

Paperback. Zustand: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Paperback. Zustand: Very Good. A catalogue to the exhibition of Impressionism in Britain held at the Barbican Art Gallery in London in the spring of 1995, this work argues that in the late 19th century, Impressionism was far less homogeneous than we recognize today. It defined itself internationally in a series of schools which had all originated through contact with Paris. In Britain, Impressionism involved the English paintings of Monet, Sisley and Degas, as well as the work of such groups as the "London Impressionists" of 1889, the Newlyn and Glasgow schools, and the Impressionist colonies at Walberswick and Staithes. Impressionism was practised and exhibited by such artists as James McNeill Whistler, George Clausen, Stanhope Forbes, John Lavery, John Singer Sargent, Walter Sickert and Philip Wilson Steer. McConkey demonstrates how their persistences moved Victorian painting away from stale classicism and literary anecdote, to a modern British art of colour, light and form, many examples of which are presented in this study. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Very Good. Impressionism in Britain This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Paperback. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1050grams, ISBN:9780300063356.

Paperback. Zustand: Very Good. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.

Paperback. Zustand: Good. Paperback. Published for exhibitions in London and Dublin in 1995. Superficial marks, light scores and wear on covers and spine. Film is peeling on front upper edge and rear lower leading corner. Pages are clean and contents are clear throughout. Binding is sound. HJW. Used.

Paperback. Zustand: Very Good. 0300063350. 1995 bright clean copy bookplate.

Soft cover. Zustand: Very Good. From the Library of John Russell Taylor.

Exhibition catalogue. First paperback edition 1995. 265x215mm 224 pages with index. Illustrated in colour and black and white. Paperback, slight sunning to spine edge. Very good. A catalogue to the exhibition of Impressionism in Britain held at the Barbican Art Gallery in London in the spring of 1995, this work argues that in the late 19th century, Impressionism was far less homogeneous than we recognize today. It defined itself internationally in a series of schools which had all originated through contact with Paris. In Britain, Impressionism involved the English paintings of Monet, Sisley and Degas, as well as the work of such groups as the "London Impressionists" of 1889, the Newlyn and Glasgow schools, and the Impressionist colonies at Walberswick and Staithes. Impressionism was practised and exhibited by such artists as James McNeill Whistler, George Clausen, Stanhope Forbes, John Lavery, John Singer Sargent, Walter Sickert and Philip Wilson Steer. McConkey demonstrates how their persistences moved Victorian painting away from stale classicism and literary anecdote, to a modern British art of colour, light and form, many examples of which are presented in this study. We are specialists in Catalogues: Exhibitions, Auctions, Collections, etc. All items are as described and dispatched within 24 hours in a secure package. We are professional booksellers with over 38 years experience, you may order with confidence.

Zustand: Sehr gut. 224 Seiten / pp., mit zahlreichen Abbildungen / richly illustrated; Einband mit leichten Gebrauchspuren, sonst tadellos. Sprache: Englisch Gewicht in Gramm: 1005 4°, 27 x 22 cm, kartoniert / Paperback.