9780300057416 - Painting for Money: The Visual Arts and the Public Sphere in Eighteenth Century England (The Paul Mellon Centre for Studies in British Art) von Solkin, David H. (7 Ergebnisse)

hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1992; black cloth covered boards with gold titles; glossy illustrated paper jacket; wear around edges; corners are bumped; 4to,9 3/4" to 12" tall; ink marks on pages 249, 274, 276, and 277; 312 pages. Additional shipping charges may need to be requested due to size or weight of book.

hardcover. Zustand: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. A distinctly modern art world emerged in 18th-century England. The period witnessed the establishment of the first public spaces for the display of art, widespread discussion of artistic issues and commercial patronage of painting and sculpture. In this book, David Solkin discusses these phenomena, showing how developments in painting were related to the rapid growth of commerce and analyzing how the sudden light of public exposure affected pictorial practice and theory. 312 p. : ill. (some col.) ; 27 cm. Black cloth boards, unclipped dust jacket (now in a removable protective sleeve). Shelf wear to edges, small closed tear to foot of spine, jacket faded in places, corner creasing to some pages, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.

Zustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In poor condition, suitable as a reading copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1300grams, ISBN:0300057415.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In fair condition, suitable as a study copy. No dust jacket. Re-bound by library. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1050grams, ISBN:0300057415.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1350grams, ISBN:9780300057416.

Hardcover. Zustand: Near Fine. 4to (26.5 cm), VIII, 312 pp. Publisher's cloth and dust jacket (minor shelf-wear). "A distinctly modern art world emerged in 18th-century England. The period witnessed the establishment of the first public spaces for the display of art, widespread discussion of artistic issues and commercial patronage of painting and sculpture. In this book, David Solkin discusses these phenomena, showing how developments in painting were related to the rapid growth of commerce and analyzing how the sudden light of public exposure affected pictorial practice and theory." (from the blurb).