ISBN: 9780300036770 - romanesque signs: early mediaeval narrative and iconography (5 Ergebnisse)

- Softcover
Anbieter: Roundabout Books, Greenfield, MA, USARoundabout Books
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paperback. Zustand: Good. Condition Notes: Moderate edge wear. Binding good. May have marking in text. We sometimes source from libraries. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

- Softcover
Anbieter: Robinson Street Books, IOBA, Binghamton, NY, USARobinson Street Books, IOBA
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Paperback. Zustand: As New. Prompt Shipment, shipped in Boxes, Tracking PROVIDED*name in ink.
Weitere BilderSprache: Englisch
Verlag: Yale University Press, New Haven and London, 1983
- Softcover
- Erstausgabe
Anbieter: Old Hall Bookshop, ABA ILAB PBFA BA, Brackley, Vereinigtes KönigreichOld Hall Bookshop, ABA ILAB PBFA BA
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EUR 8,56
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Printed Card Covers. Zustand: Good. Zustand des Schutzumschlags: No Dust Jacket as Published. First Edition. xiii, 248pp, black & white illustrations in text, a few pages have pencil marks in the margin and there are some pencil notes to the last page, otherwise clean and crisp, pencil signature of previous owner half title, printed card covers, reading crease to spine, some slight creases to covers which are a little grubby. Size: 8vo. Medieval.…

Sprache: Englisch
Verlag: Yale University Press, New Haven and London, 1983
- Softcover
Anbieter: Emile Kerssemakers ILAB, Heerlen, NiederlandeEmile Kerssemakers ILAB
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23.5 x 15.5 cm. Paperback. xiii, 248 pages. Illustrated. Series: Y-572. Text in English. Light reading crease, otherwise very good. See picture. 440g.

- Softcover
Anbieter: Barnaby, Oxford, Vereinigtes KönigreichBarnaby
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Softcover. Zustand: Good. A few light external scuffs and bumps. Internally clean and fresh, with uncreased pages. A good used copy with no major defects. Publisher's note: Romanesque Signs is a classic of medieval scholarship that laid the foundations for viewing literature as an historical artifact that should be read in conjunction with the art, architecture, sculpture and religious rituals produced in the same period. It was the first book to argue that the materiality of representation--how art was created, performed, displayed in its own time--must be taken into account in order to understand its levels of meaning. It also showed that the way this art engages with the history it inherits--secular history, sacred history, intellectual history--is of crucial importance for understanding how and why it was produced as it was. Underlying the book's thesis is the recognition that Romanesque art reflects history, the world, and sacred history as themes that must be interwoven and choreographed in and as a performance. Hence the term "performative mimesis" used to describe it. The book seeks to overthrow post-Reformation boundaries between the sacred and the secular in order to show that in the early Middle Ages these terms were co-extensive. The sacred and secular existed in equilibrium: the one did not seek to displace the other since they were part of a continuum, each referencing the other at every moment. Size: 23 x 15 cm. xiii, 248 pp. Shipped Weight: Under 500 grams. Category: History; Literature, Medieval -- History and criticism; Narration (Rhetoric) -- History -- To 1500; History in literature; Chanson de Roland; Pseudo-Turpin; ISBN: 0300036779. ISBN/EAN: 9780300036770. Add. Inventory No: 250530CCY0806051.…