Sprache: Englisch
Verlag: University of Wisconsin Press, 2015
ISBN 10: 0299305945 ISBN 13: 9780299305949
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In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: University of Wisconsin Press, 2015
ISBN 10: 0299305945 ISBN 13: 9780299305949
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In den WarenkorbZustand: New. pp. 280.
Sprache: Englisch
Verlag: University of Wisconsin Press, 2015
ISBN 10: 0299305945 ISBN 13: 9780299305949
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In den WarenkorbZustand: New. In English.
Sprache: Englisch
Verlag: University of Wisconsin Press, 2015
ISBN 10: 0299305945 ISBN 13: 9780299305949
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Zustand: New. Series: Studies in Dance History. Num Pages: 280 pages, 31 photographs. BIC Classification: ASD. Category: (G) General (US: Trade). Dimension: 156 x 291 x 20. Weight in Grams: 398. . 2015. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.
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In den WarenkorbPaperback. Zustand: Brand New. 1st edition. 288 pages. 8.75x6.00x0.75 inches. In Stock.
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In den WarenkorbZustand: New. Examines the work of the dramaturg in contemporary dance and movement performance. Katherine Profeta, a working dramaturg for more than fifteen years, shifts the focus from asking Who is the dramaturg? to What does the dramaturg think about? Profeta exp.
Sprache: Englisch
Verlag: University Of Wisconsin Press Dez 2015, 2015
ISBN 10: 0299305945 ISBN 13: 9780299305949
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - Dramaturgy in Motion innovatively examines the work of the dramaturg in contemporary dance and movement performance. Katherine Profeta, a working dramaturg for more than fifteen years, shifts the focus from asking "Who is the dramaturg " to "What does the dramaturg think about "Profeta explores five arenas for the dramaturg's attentiontext and language, research, audience, movement, and interculturalism. Drawing on her extended collaboration with choreographer and visual artist Ralph Lemon, she grounds her thinking in actual rehearsal-room examples and situates practice within theoretical discourse about contemporary dramaturgy. Moving between theory and practice, word and movement, question and answer until these distinctions blur, she develops the foundational concept of dramaturgical labor as a quality of motion.Dramaturgy in Motion will be invaluable to practitioners and scholars interested in the processes of creating contemporary dance and movement performance particularly artists wondering what it might be like to collaborate with a dramaturg and dramaturgs wondering what it might be like to collaborate on movement performance. The book will also appeal to those intrigued by the work of Lemon and his collaborators, to which Profeta turns repeatedly to unfold the thorny questions and rich benefits of dramaturgical labor.