Sprache: Englisch
Verlag: University of Wisconsin Press, 1995
ISBN 10: 0299144445 ISBN 13: 9780299144449
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 26,89
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In den WarenkorbPaperback. Zustand: Brand New. 162 pages. 9.25x6.25x0.50 inches. In Stock.
Sprache: Englisch
Verlag: University of Wisconsin Press, 1995
ISBN 10: 0299144445 ISBN 13: 9780299144449
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 24,32
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In den WarenkorbZustand: New. In.
Anbieter: moluna, Greven, Deutschland
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In den WarenkorbZustand: New. KlappentextThis anthology highlights central values and traditions in Native American societies, exploring the ongoing struggles and survival power of Native American people today. The essays and stories by well-known writers provide an .
Sprache: Englisch
Verlag: University Of Wisconsin Press Aug 1997, 1997
ISBN 10: 0299144445 ISBN 13: 9780299144449
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - Brunilde Sismondo Ridgway, one of the world s leading experts on classical sculpture, turns her attention in this volume to the fourth century, a period of transition from the classical Athenian style to an array of styles found simultaneously in the Hellenistic diaspora. Though a period very rich in important monuments, the fourth century has been particularly challenging and vexing to scholars, and Ridgway s is the first comprehensive study of this sculpture in sixty years. Ridgway s careful summaries of ongoing scholarly debates illustrate how the fourth century fits into the development of Greek sculpture and architecture. Discussing figural sculpture, votive and document reliefs, funerary art, and architectural sculpture from Greece proper to the non-Greek territories of Lykia and Karia in the Anatolian peninsula, she looks at major monuments and categories of monuments, describing each work carefully, puts into perspective problems surrounding interpretation and dating of the sculpture, reviews and evaluates previous scholarship on the subject, and offers her own views. Ridgway pays particular attention to Greek originals, but also provides valuable chapters on Roman copies, one of the most difficult but critical areas for understanding Greek sculpture. Taking a skeptical stance, Ridgway revisits scholarly attempts to attribute sculptural work to the famous masters of the fourth century: Praxiteles, Skopas, and Lysippos. She undertakes a factual analysis of the extant evidence for and against various attributions, bolstered by a critical reading of ancient literary sources. '.