Sprache: Englisch
Verlag: University of Wisconsin Press, 1972
ISBN 10: 0299053741 ISBN 13: 9780299053741
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Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Sprache: Englisch
Verlag: University of Wisconsin Press, 1972
ISBN 10: 0299053741 ISBN 13: 9780299053741
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paperback. Zustand: Good.
Sprache: Englisch
Verlag: University of Wisconsin Press, 1972
ISBN 10: 0299053741 ISBN 13: 9780299053741
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Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Sprache: Englisch
Verlag: University of Wisconsin Press, 1972
ISBN 10: 0299053741 ISBN 13: 9780299053741
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
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In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
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In den WarenkorbPaperback. Zustand: Brand New. new edition edition. 172 pages. 8.75x5.75x0.75 inches. In Stock.
Sprache: Englisch
Verlag: University of Wisconsin Press, 1972
ISBN 10: 0299053741 ISBN 13: 9780299053741
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. 1972. paperback. . . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: University of Wisconsin Press, 1972
ISBN 10: 0299053741 ISBN 13: 9780299053741
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
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In den WarenkorbZustand: New. Über den AutorA. C. Scott is director of the Asian Theatre Program at the University of Wisconsin and has a long and intimate knowledge of traditional Chinese theatre. He has written a number books on the subject, including Tr.
Sprache: Englisch
Verlag: University Of Wisconsin Press Jun 2010, 2010
ISBN 10: 0299053741 ISBN 13: 9780299053741
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - The world of traditional Chinese drama can be at once fascinating and bewildering to the uninitiated Western observer. Attuned to his own dramatic conventions, he is hard put to apprehend the delicate fusion of poetry, music, and subtle gesture which is the essence of Chinese theatre. Because of these difficulties, the task of translating traditional Chinese drama must go far beyond the conventional literary treatment and evoke the entire world of stagecraft and directing.Longing for Worldly Pleasures (Ssu Fan) is a lyric monologue in which a young Buddhist laments the waning of her youth in the seclusion of the convent. The brief piece involves a complexity of mood which makes it an actor's tour de force, undertaken only by the most highly skilled performers.Fifteen Strings of Cash (Shih Wu Kuan), a much longer play, is a comic murder mystery satirizing bureaucratic ineptitude in the administration of justice. The comic lead role of Lou the Rat is a virtuoso part which illustrates the intricate mimetic art of the traditional comic actor and was the play's main appeal to Chinese audiences.