Sprache: Englisch
Verlag: University of Texas Press, 1998
ISBN 10: 0292765827 ISBN 13: 9780292765825
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Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Sprache: Englisch
Verlag: University of Texas Press, 1998
ISBN 10: 0292765827 ISBN 13: 9780292765825
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paperback. Zustand: Very Good.
Soft Cover. Zustand: Very Good. 2025 mayfiled in DIRECTOR bios.
Sprache: Englisch
Verlag: University of Texas Press, 1998
ISBN 10: 0292765827 ISBN 13: 9780292765825
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EUR 26,71
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In den WarenkorbPaperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Sprache: Englisch
Verlag: MU - University of Texas Press, 1998
ISBN 10: 0292765827 ISBN 13: 9780292765825
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
EUR 30,72
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In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: University of Texas Press, 1998
ISBN 10: 0292765827 ISBN 13: 9780292765825
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. 1998. Illustrated. Paperback. . . . . . Books ship from the US and Ireland.
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EUR 50,28
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In den WarenkorbPaperback. Zustand: Brand New. 304 pages. 9.25x6.00x0.75 inches. In Stock.
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EUR 38,27
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In den WarenkorbZustand: New. Stephen Prince explains the rise of explicit violence in the American cinema, its social effects, and the relation of contemporary ultraviolence to the radical, humanistic filmmaking that Peckinpah practiced.InhaltsverzeichnisAcknowl.
Sprache: Englisch
Verlag: Univ Of Chicago Behalf Of University Of Texas Jan 1998, 1998
ISBN 10: 0292765827 ISBN 13: 9780292765825
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - More than any other filmmaker, Sam Peckinpah opened the door for graphic violence in movies. In this book, Stephen Prince explains the rise of explicit violence in the American cinema, its social effects, and the relation of contemporary ultraviolence to the radical, humanistic filmmaking that Peckinpah practiced.