Isbn: 9780271024707 - sacred shock: framing visual experience in byzantium (8 Ergebnisse)

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Sehr gut. XVIII, 188 p., ill. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Slighly rubbed, overall very good and clean. / Leicht berieben, insgesamt sehr gut und sauber. - Art did not exist in Byzantium. As Glenn Peers explains in Sacred Shock, there were, instead, a variety of devotional objects pectoral crosses, church mosaics, icons, and illuminated manuscriptsregarded as infused with divine presence and used in religious practices. What concerns Peers in this provocative book is the means by which the relationship between the divine and the human was made manifest through crafted, material objects. According to Peers, the devotional objects of Byzantium should be understood as having a detail or place that plays a large part in framing their meaning for viewers. After an insightful discussion of pectoral crosses, Peers examines a series of case studies, which includes the depiction of the blood of Christ in the Chludov Psalter, a fourteenth-century icon of Saint George, and the Mandylion, a famous relic thought to preserve the traces of Christs face. Sacred Shock combines fine scholarship with close analysis of Byzantine devotional objects and discussion of issues of broad importance to the study of visual experience. It is significant as both an exploration of art-historical methodology and a contribution to our understanding of the medieval world. - Glenn Peers is Associate Professor in the Department of Art and Art History at the University of Texas at Austin and author of Subtle Bodies: Representing Angels in Byzantium (2001). ISBN 9780271024707 Sprache: Englisch Gewicht in Gramm: 743 Original cloth with dust jacket.…

Zustand: New. In.

Hardcover. Zustand: Brand New. illustrated edition. 188 pages. 9.00x7.25x0.75 inches. In Stock.

Zustand: New. Num Pages: 208 pages, 79 illustrations. BIC Classification: ACK; AGR. Category: (P) Professional & Vocational. Dimension: 235 x 184 x 18. Weight in Grams: 740. . 2004. Hardback. . . . . Books ship from the US and Ireland.

Zustand: NEW.

Buch. Zustand: Neu. Neuware - Art did not exist in Byzantium. As Glenn Peers explains in Sacred Shock, there were, instead, a variety of devotional objects--pectoral crosses, church mosaics, icons, and illuminated manuscripts--regarded as infused with divine presence and used in religious practices. What concerns Peers in this provocative book is the means by which the relationship between the divine and the human was made manifest through crafted, material objects. According to Peers, the devotional objects of Byzantium should be understood as having a detail or place that plays a large part in 'framing' their meaning for viewers. After an insightful discussion of pectoral crosses, Peers examines a series of case studies, which includes the depiction of the blood of Christ in the Chludov Psalter, a fourteenth-century icon of St. George, and the Mandylion, a famous relic thought to preserve the traces of Christ's face. Sacred Shock combines fine scholarship with close analysis of Byzantine devotional objects and discussion of issues of broad importance to the study of visual experience. It is significant as both an exploration of art historical methodology and a contribution to our understanding of the medieval world. …

Gebunden. Zustand: New. Art did not exist in Byzantium. Devotional objects - pectoral crosses, church mosaics, icons, and illuminated manuscripts - were regarded as infused with divine presence and used in religious practices. This book examines the means by which the relationship.