Sprache: Englisch
Verlag: Pennsylvania State University Press, 2001
ISBN 10: 0271021403 ISBN 13: 9780271021409
Anbieter: moluna, Greven, Deutschland
EUR 188,33
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In den WarenkorbZustand: New. Creighton Gilbert s study of the frescoes of the Cappella Nuova in the cathedral of Orvieto explains the commissioning, iconography and structure of this extraordinary cycle of paintings, begun by Fra Angelico in the early 1400s and completed a half-century.
Sprache: Englisch
Verlag: Pennsylvania State Univ Pr, 2002
ISBN 10: 0271021403 ISBN 13: 9780271021409
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 253,16
Anzahl: 2 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. illustrated edition. 200 pages. 10.25x8.25x0.75 inches. In Stock.
Sprache: Englisch
Verlag: Pennsylvania State University Press, 2001
ISBN 10: 0271021403 ISBN 13: 9780271021409
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. Creighton Gilbert's study of the frescoes of the Cappella Nuova in the cathedral of Orvieto explains the commissioning, iconography and structure of this extraordinary cycle of paintings, begun by Fra Angelico in the early 1400s and completed a half-century later by Luca Signorelli. Num Pages: 200 pages, 95 b/w illus. BIC Classification: 1DST; 3H; ACND; AFC; AGB. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 279 x 216 x 19. Weight in Grams: 912. . 2001. Illustrated. hardcover. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Pennsylvania State University Press, 2001
ISBN 10: 0271021403 ISBN 13: 9780271021409
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
EUR 283,17
Anzahl: 1 verfügbar
In den WarenkorbZustand: New. pp. xix + 200 Illus.
Sprache: Englisch
Verlag: Pennsylvania State University Press Nov 2001, 2001
ISBN 10: 0271021403 ISBN 13: 9780271021409
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - The frescoes of the Cappella Nuova in the Cathedral of Orvieto have fascinated visitors from Michelangelo to Freud and Czelow Milosz because of their dramatic portrayal of the end of the world and the Last Judgment. Creighton Gilbert's study draws on previously overlooked documents to explain the commissioning of this extraordinary cycle of paintings, begun by Fra Angelico in the early 1400s and completed a half-century later by Luca Signorelli. In contrast to most other art historians, who ascribe the iconographic and formal structure of the paintings to Signorelli, Gilbert contends that his predecessor, Fra Angelico, devised the entire program of decoration. Gilbert also situates the cycle in the contexts of liturgical practice, humanistic studies, and the rich body of texts and images shaping the Renaissance conception of the coming of the Antichrist and the world's final moments.