9780271021409 - how fra angelico and signorelli saw the end of the world von gilbert, creighton e. (4 Ergebnisse)
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Zustand: New. Creighton Gilbert s study of the frescoes of the Cappella Nuova in the cathedral of Orvieto explains the commissioning, iconography and structure of this extraordinary cycle of paintings, begun by Fra Angelico in the early 1400s and completed a half-century.
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Hardcover. Zustand: Brand New. illustrated edition. 200 pages. 10.25x8.25x0.75 inches. In Stock.
How Fra Angelico and Signorelli Saw the End of the World
Gilbert, Creighton (Professor Emeritus of the History of Art, Yale University, USA)
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Zustand: New. Creighton Gilbert's study of the frescoes of the Cappella Nuova in the cathedral of Orvieto explains the commissioning, iconography and structure of this extraordinary cycle of paintings, begun by Fra Angelico in the early 1400s and completed a half-century later by Luca Signorelli. Num Pages: 200 pages, 95 b/w ill…us. BIC Classification: 1DST; 3H; ACND; AFC; AGB. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 279 x 216 x 19. Weight in Grams: 912. . 2001. Illustrated. hardcover. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Pennsylvania State University Press Nov 2001, 2001
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Buch. Zustand: Neu. Neuware - The frescoes of the Cappella Nuova in the Cathedral of Orvieto have fascinated visitors from Michelangelo to Freud and Czelow Milosz because of their dramatic portrayal of the end of the world and the Last Judgment. Creighton Gilbert's study draws on previously overlooked documents to explain the co…mmissioning of this extraordinary cycle of paintings, begun by Fra Angelico in the early 1400s and completed a half-century later by Luca Signorelli. In contrast to most other art historians, who ascribe the iconographic and formal structure of the paintings to Signorelli, Gilbert contends that his predecessor, Fra Angelico, devised the entire program of decoration. Gilbert also situates the cycle in the contexts of liturgical practice, humanistic studies, and the rich body of texts and images shaping the Renaissance conception of the coming of the Antichrist and the world's final moments.
