Isbn: 9780262611138 - architecture as metaphor: language, number, money (writing architecture) (10 Ergebnisse)

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  • Sprache: Englisch

    Verlag: MIT Press, 1995

    0262611139 / 9780262611138

    Serie: Buch 4 von 23 - Writing Architecture

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    Paperback. Zustand: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

  • Sprache: Englisch

    Verlag: The MIT Press, 1995

    0262611139 / 9780262611138

    Serie: Buch 4 von 23 - Writing Architecture

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    Paperback. Zustand: Good+. Translation. Writing Architecture; 8.05 X 5.41 X 0.64 inches; 198 pages; minor, faint smudge on the fore-edge of textblock. Front cover's bottom corner has a scissor cut. Very Good condition otherwise. No other noteworthy defects. No markings. ; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be carefully cushioned in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence.…

  • Sprache: Englisch

    Verlag: The MIT Press, 1995

    0262611139 / 9780262611138

    Serie: Buch 4 von 23 - Writing Architecture

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    Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

  • Sprache: Englisch

    Verlag: The MIT Press, 1995

    0262611139 / 9780262611138

    Serie: Buch 4 von 23 - Writing Architecture

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  • Sprache: Englisch

    Verlag: Mit Pr, 1995

    0262611139 / 9780262611138

    Serie: Buch 4 von 23 - Writing Architecture

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    Paperback. Zustand: Brand New. 2nd paperback edition. 246 pages. 8.25x5.50x0.75 inches. In Stock.

  • Sprache: Englisch

    Verlag: MIT Press, Cambridge, 1997

    0262611139 / 9780262611138

    Serie: Buch 4 von 23 - Writing Architecture

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    Paperback. Zustand: Very good. Paperback Octavo. wraps, 199 pp Standard shipping (no tracking or insurance) / Priority (with tracking) / Custom quote for large or heavy orders.

  • Sprache: Englisch

    Verlag: MIT Press Okt 1995, 1995

    0262611139 / 9780262611138

    Serie: Buch 4 von 23 - Writing Architecture

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    Taschenbuch. Zustand: Neu. Neuware - In Architecture as Metaphor, Kojin Karatani detects a recurrent 'will to architecture' that he argues is the foundation of all Western thinking, traversing architecture, philosophy, literature, linguistics, city planning, anthropology, political economics, psychoanalysis, and mathematics.Kojin Karatani, Japan's leading literary critic, is perhaps best known for his imaginative readings of Shakespeare, Soseki, Marx, Wittgenstein, and most recently Kant. His works, of which Origins of Modern Japanese Literature is the only one previously translated into English, are the generic equivalent to what in America is called 'theory.' Karatani's writings are important not only for the insights they offer on the various topics under discussion, but also as an example of a distinctly non-Western critical intervention. In Architecture as Metaphor, Karatani detects a recurrent 'will to architecture' that he argues is the foundation of all Western thinking, traversing architecture, philosophy, literature, linguistics, city planning, anthropology, political economics, psychoanalysis, and mathematics. In the three parts of the book, he analyzes the complex bonds between construction and deconstruction, thereby pointing to an alternative model of 'secular criticism,' but in the domain of philosophy rather than literary or cultural criticism. As Karatani claims in his introduction, because the will to architecture is practically nonoexistent in Japan, he must first assume a dual role: one that affirms the architectonic (by scrutinizing the suppressed function of form) and one that pushes formalism to its collapse (by invoking Kurt Godel's incompleteness theorem). His subsequent discussions trace a path through the work of Christopher Alexander, Jane Jacobs, Gilles Deleuze, and others. Finally, amidst the drive that motivates all formalization, he confronts an unbridgeable gap, an uncontrollable event encountered in the exchange with the other; thus his speculation turns toward global capital movement. While in the present volume he mainly analyzes familiar Western texts, it is precisely for this reason that his voice discloses a distance that will add a new dimension to our English-language discourse. …

  • Sprache: Englisch

    Verlag: MIT Press, 1995

    0262611139 / 9780262611138

    Serie: Buch 4 von 23 - Writing Architecture

    • Softcover

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    Zustand: New. In Architecture as Metaphor, Kojin Karatani detects a recurrent "will to architecture" that he argues is the foundation of all Western thinking, traversing architecture, philosophy, literature, linguistics, city planning, anthropology, political economics, psychoanalysis, and mathematics. Editor(s): Speaks, Michael. Translator(s): Kohso, Sabu. Series: Writing Architecture. Num Pages: 246 pages, 6. BIC Classification: AMA; JFC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 203 x 142 x 13. Weight in Grams: 330. . 1995. Paperback. . . . . Books ship from the US and Ireland.…

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    Sprache: Englisch

    Verlag: MIT Press, 1995

    0262611139 / 9780262611138

    Serie: Buch 4 von 23 - Writing Architecture

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    Taschenbuch. Zustand: Neu. Architecture as Metaphor | Language, Number, Money | Kojin Karatani | Taschenbuch | Einband - flex.(Paperback) | Englisch | 1995 | MIT Press | EAN 9780262611138 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.…

  • Sprache: Englisch

    Verlag: MIT Press Okt 1995, 1995

    0262611139 / 9780262611138

    Serie: Buch 4 von 23 - Writing Architecture

    • Softcover

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    Taschenbuch. Zustand: Neu. Neuware -In Architecture as Metaphor, Kojin Karatani detects a recurrent 'will to architecture' that he argues is the foundation of all Western thinking, traversing architecture, philosophy, literature, linguistics, city planning, anthropology, political economics, psychoanalysis, and mathematics.Kojin Karatani, Japan's leading literary critic, is perhaps best known for his imaginative readings of Shakespeare, Soseki, Marx, Wittgenstein, and most recently Kant. His works, of which Origins of Modern Japanese Literature is the only one previously translated into English, are the generic equivalent to what in America is called 'theory.' Karatani's writings are important not only for the insights they offer on the various topics under discussion, but also as an example of a distinctly non-Western critical intervention. In Architecture as Metaphor, Karatani detects a recurrent 'will to architecture' that he argues is the foundation of all Western thinking, traversing architecture, philosophy, literature, linguistics, city planning, anthropology, political economics, psychoanalysis, and mathematics. In the three parts of the book, he analyzes the complex bonds between construction and deconstruction, thereby pointing to an alternative model of 'secular criticism,' but in the domain of philosophy rather than literary or cultural criticism. As Karatani claims in his introduction, because the will to architecture is practically nonoexistent in Japan, he must first assume a dual role: one that affirms the architectonic (by scrutinizing the suppressed function of form) and one that pushes formalism to its collapse (by invoking Kurt Godel's incompleteness theorem). His subsequent discussions trace a path through the work of Christopher Alexander, Jane Jacobs, Gilles Deleuze, and others. Finally, amidst the drive that motivates all formalization, he confronts an unbridgeable gap, an uncontrollable event encountered in the exchange with the other; thus his speculation turns toward global capital movement. While in the present volume he mainly analyzes familiar Western texts, it is precisely for this reason that his voice discloses a distance that will add a new dimension to our English-language discourse. 248 pp. Englisch. …