ISBN: 9780262047425 - richard riemerschmid's extraordinary living things (10 Ergebnisse)

Hardcover. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Very good. Zustand des Schutzumschlags: Very good. Cloth, dj. Minor shelf wear. Else a bright, clean copy.

Hardcover. Zustand: Very good. Zustand des Schutzumschlags: Very good. Cloth, dj. Minor shelf wear. Else a bright, clean copy.

First Edition. 24 x 18 cm 401 pp with colour and b&w illustrations. Hbk. mint in dustwrapper.

Zustand: New. 2022. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Brand New. 401 pages. 9.25x7.25x1.00 inches. In Stock.

Zustand: New. Freyja Hartzell teaches the history of modern design, architecture, and art at Bard Graduate Center in New York City. She is currently writing a new book on dolls, robots, AI, and their engagement with the concept of likeness. Her related exhibition, Welcom.

Buch. Zustand: Neu. Neuware - How Richard Riemerschmid's designs of everydaybut "extraordinary"objects recalibrate our understanding of modernism.At the beginning of the twentieth century, German artist Richard Riemerschmid (18681957) was known as a symbolist painter and, by the advent of World War I, had become an important modern architect. This, however, the first English-language book on Riemerschmid, celebrates his understudied legacy as a designer of everyday objectsfurniture, tableware, clothingthat were imbued with an extraordinary sense of vitality and even personality. Freyja Hartzell makes a case for the importance of Riemerschmid's designed objects in the development of modern designand for the power of everyday things to change the way we live our lives, understand history, and design our future. Hartzell offers for the first time an interpretive history of Riemerschmid's design practice embedded in a fresh examination of modernism told by the objects themselves. Hartzell explores Riemerschmid's early drawings, paintings, and prints; his interiors and housewares, which represent a modernist shift from exclusive image to accessible object; his designs for women's clothing; his immensely popular wooden furniture; his serially produced ceramics and their appeal to German nationalism of the period; and his complex and compelling pattern designs for textiles and wallpapers, the only part of his creative practice that spanned his entire career. Riemerschmid, Hartzell writes, was at his most inventive, playful, and free when designing things for everyday use. His uniquely designed forms allow us to recognize the utilitarian object not just as a tool but as an individual beinga thing with a soul.…