9780253221087 - Fugitive Vision: Slave Image and Black Identity in Antebellum Narrative (Blacks in the Diaspora) von Chaney, Michael A. (7 Ergebnisse)

paperback. Zustand: Very Good. Fugitive Vision: Slave Image and Black Identity in Antebellum Narrative (Blacks in the Diaspora) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

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Zustand: New. Analyzing the impact of black abolitionist iconography on early black literature and the formation of black identity, this book argues that the visual offered an alternative to literacy for current and former slaves, whose works mobilize forms of illustration that subvert dominant representations of slavery by both apologists and abolitionists. Series: Blacks in the Diaspora. Num Pages: 272 pages, 30 b&w photos. BIC Classification: 1H; 1K; DSB; GTB. Category: (P) Professional & Vocational. Dimension: 5969 x 3963 x 18. Weight in Grams: 437. . 2009. Paperback. . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. 272 pages. 9.21x6.10x0.71 inches. In Stock.

Zustand: New. Analyzing the impact of black abolitionist iconography on early black literature and the formation of black identity, this book argues that the visual offered an alternative to literacy for current and former slaves, whose works mobilize forms of illustrati.

Taschenbuch. Zustand: Neu. Neuware - Analyzing the impact of black abolitionist iconography on early black literature and the formation of black identity, Fugitive Vision examines the writings of Frederick Douglass, William Wells Brown, William and Ellen Craft, and Harriet Jacobs, and the slave potter David Drake. Juxtaposing pictorial and literary representations, the book argues that the visual offered an alternative to literacy for current and former slaves, whose works mobilize forms of illustration that subvert dominant representations of slavery by both apologists and abolitionists. From a portrait of Douglass's mother as Ramses to the incised snatches of proverb and prophecy on Dave the Potter's ceramics, the book identifies a 'fugitive vision' that reforms our notions of antebellum black identity, literature, and cultural production.