Anbieter: ThriftBooks-Dallas, Dallas, TX, USA
Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Sprache: Englisch
Verlag: MH - Indiana University Press, 2009
ISBN 10: 0253221080 ISBN 13: 9780253221087
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
EUR 20,99
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In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Zustand: New. Analyzing the impact of black abolitionist iconography on early black literature and the formation of black identity, this book argues that the visual offered an alternative to literacy for current and former slaves, whose works mobilize forms of illustration that subvert dominant representations of slavery by both apologists and abolitionists. Series: Blacks in the Diaspora. Num Pages: 272 pages, 30 b&w photos. BIC Classification: 1H; 1K; DSB; GTB. Category: (P) Professional & Vocational. Dimension: 5969 x 3963 x 18. Weight in Grams: 437. . 2009. Paperback. . . . . Books ship from the US and Ireland.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 35,16
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In den WarenkorbPaperback. Zustand: Brand New. 272 pages. 9.21x6.10x0.71 inches. In Stock.
EUR 31,53
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In den WarenkorbZustand: New. Analyzing the impact of black abolitionist iconography on early black literature and the formation of black identity, this book argues that the visual offered an alternative to literacy for current and former slaves, whose works mobilize forms of illustrati.
Sprache: Englisch
Verlag: Indiana University Press Mär 2009, 2009
ISBN 10: 0253221080 ISBN 13: 9780253221087
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - Analyzing the impact of black abolitionist iconography on early black literature and the formation of black identity, Fugitive Vision examines the writings of Frederick Douglass, William Wells Brown, William and Ellen Craft, and Harriet Jacobs, and the slave potter David Drake. Juxtaposing pictorial and literary representations, the book argues that the visual offered an alternative to literacy for current and former slaves, whose works mobilize forms of illustration that subvert dominant representations of slavery by both apologists and abolitionists. From a portrait of Douglass's mother as Ramses to the incised snatches of proverb and prophecy on Dave the Potter's ceramics, the book identifies a 'fugitive vision' that reforms our notions of antebellum black identity, literature, and cultural production.