Sprache: Englisch
Verlag: Indiana University, Bloomington IN 2007., 2007
ISBN 10: 0253219140 ISBN 13: 9780253219145
Anbieter: Hay Cinema Bookshop Limited, Hay on Wye, Vereinigtes Königreich
Erstausgabe
EUR 10,45
Anzahl: 1 verfügbar
In den Warenkorb1st edition. 8vo. [xvii] + [267pp.] B/w. illustrations. Paperback in original pictorial wrapps. with black spine lettered in white. Very good. ISBN 9780253219145 US$12.
Sprache: Englisch
Verlag: MH - Indiana University Press, 2007
ISBN 10: 0253219140 ISBN 13: 9780253219145
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
EUR 28,55
Anzahl: 1 verfügbar
In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. Offers a critical approach to African cinema - one that requires that we revisit the beginnings of African filmmaking and the critical responses to which they gave rise, and that we ask what limitations they might have contained, what price was paid for the approaches then taken, and whether we are still caught in those limitations today. Num Pages: 296 pages, 34 b&w photos. BIC Classification: 1H; APF. Category: (P) Professional & Vocational. Dimension: 5969 x 3963 x 21. Weight in Grams: 459. . 2007. Paperback. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Indiana University Press (USA), 2007
ISBN 10: 0253219140 ISBN 13: 9780253219145
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
EUR 42,78
Anzahl: 1 verfügbar
In den WarenkorbZustand: New. pp. 296.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 46,54
Anzahl: 2 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. 268 pages. 9.00x6.00x0.75 inches. In Stock.
EUR 37,99
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. Offers a critical approach to African cinema - one that requires that we revisit the beginnings of African filmmaking and the critical responses to which they gave rise, and that we ask what limitations they might have contained, what price was paid for the.
Sprache: Englisch
Verlag: Indiana University Press Jul 2007, 2007
ISBN 10: 0253219140 ISBN 13: 9780253219145
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - Kenneth W. Harrow offers a new critical approach to African cinema-one that requires that we revisit the beginnings of African filmmaking and the critical responses to which they gave rise, and that we ask what limitations they might have contained, what price was paid for the approaches then taken, and whether we are still caught in those limitations today. Using iek, Badiou, and a range of Lacanian and postmodern-based approaches, Harrow attempts to redefine the possibilities of an African cinematic practice-one in which fantasy and desire are placed within a more expansive reading of the political and the ideological. The major works of Sembène Ousmane, Djibril Diop Mambéty, Souleymane Cisse, Jean-Pierre Bekolo, Jean-Marie Teno, Bassak ba Kohbio, and Fanta Nacro are explored, while at the same time the project of current postmodern theory, especially that of Jameson, is called into question in order that an African postmodernist cultural enterprise might be envisioned.