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In den WarenkorbPaperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Sprache: Englisch
Verlag: MH - Indiana University Press, 2009
ISBN 10: 0253215323 ISBN 13: 9780253215321
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
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In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. A practical guide to the integration of voice, acting, and movement in opera performance. Num Pages: 176 pages, 1 figures, 1 bibliog., 1 index. BIC Classification: ANC; AVGC9. Category: (P) Professional & Vocational. Dimension: 158 x 235 x 11. Weight in Grams: 266. . 2009. 49695th. Paperback. . . . . Books ship from the US and Ireland.
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In den WarenkorbPaperback. Zustand: Brand New. 154 pages. 9.00x6.00x0.75 inches. In Stock.
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In den WarenkorbZustand: New. A practical guide to the integration of voice, acting, and movement in opera performance.Über den AutorrnrnMark Ross Clark is Associate Professor in the Indiana University School of Music. He has taught opera workshop for twenty year.
Sprache: Englisch
Verlag: Indiana University Press Apr 2009, 2009
ISBN 10: 0253215323 ISBN 13: 9780253215321
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - '. . . a remarkable collection of observations and reflections on past experiences by many excellent artists and teachers that will doubtless help . . . those interested in creating 'opera magic.'' -Tito Capobianco Singing, Acting, and Movement in Opera is designed for use in opera and musical theater workshops and by beginning professional singers. Drawing on years of research, teaching, and performing, Mark Ross Clark provides an overview of dramatic methodology for the singing actor, encouraging the student's active participation through practical exercises and application to well-known works. The Singer-getics method emphasizes integration of the various dimensions of opera performance, creating synergies among vocal performance, character development, facial expression, and movement on the stage. The book presents important information about stagecraft, characterization, posture, historical styles, performance anxiety, aria, and scene analysis. Excerpts from interviews with performers, directors, conductors, coaches, composers, and teachers offer insights and advice, allowing the reader to 'meet the artists.' An appendix by postural alignment specialist Emily Bogard describes techniques of relaxation and self-awareness for the performer. This lively book will appeal to students, teachers, professionals, and general readers alike.