Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.
Sprache: Englisch
Verlag: MH - Indiana University Press, 2018
ISBN 10: 0253036755 ISBN 13: 9780253036759
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
EUR 25,88
Anzahl: 15 verfügbar
In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
EUR 33,70
Anzahl: 3 verfügbar
In den WarenkorbZustand: New. pp. 196.
Zustand: New. 2018. Paperback. . . . . . Books ship from the US and Ireland.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 38,84
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In den WarenkorbPaperback. Zustand: Brand New. 181 pages. 8.75x6.00x0.50 inches. In Stock.
Anbieter: moluna, Greven, Deutschland
EUR 33,49
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In den WarenkorbZustand: New. Über den AutorChristopher WitulskiInhaltsverzeichnisAcknowledgementsNotes on transliteration and transcriptionChapter 1: One Minute in MeknesChapter 2: Defending .
Sprache: Englisch
Verlag: Indiana University Press Okt 2018, 2018
ISBN 10: 0253036755 ISBN 13: 9780253036759
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - Traditionally gnawa musicians in Morocco played for all-night ceremonies where communities gathered to invite spirits to heal mental, physical, and social ills untreatable by other means. Now gnawa music can be heard on the streets of Marrakech, at festivals in Essaouira, in Fez's cafes, in Casablanca's nightclubs, and in the bars of Rabat. As it moves further and further from its origins as ritual music and listeners seek new opportunities to hear performances, musicians are challenged to adapt to new tastes while competing for potential clients and performance engagements. Christopher Witulski explores how gnawa musicians straddle popular and ritual boundaries to assert, negotiate, and perform their authenticity in this rich ethnography of Moroccan music. Witulski introduces readers to gnawa performers, their friends, the places where they play, and the people they play for. He emphasizes the specific strategies performers use to define themselves and their multiple identities as Muslims, Moroccans, and traditional musicians. The Gnawa Lions reveals a shifting terrain of music, ritual, and belief that follows the negotiation of musical authenticity, popular demand, and economic opportunity.