Sprache: Englisch
Verlag: MH - Indiana University Press, 2016
ISBN 10: 025302160X ISBN 13: 9780253021601
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In den WarenkorbHRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
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In den WarenkorbZustand: New. pp. 352.
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Zustand: New. Series: Musical Meaning & Interpretation. Num Pages: 304 pages, 14 b&w illus., 10 music exx., 7 tables. BIC Classification: AVA. Category: (G) General (US: Trade). Dimension: 166 x 241 x 23. Weight in Grams: 604. . 2016. hardcover. . . . . Books ship from the US and Ireland.
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In den WarenkorbHardcover. Zustand: Brand New. 288 pages. 10.00x7.00x0.75 inches. In Stock.
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In den WarenkorbGebunden. Zustand: New. Über den AutorArnie CoxInhaltsverzeichnisAcknowledgmentsPart One: Theoretical BackgroundIntroduction1. Mimetic Comprehension2. Mimetic Comprehension of Music3. Metaphor and Rel.
Sprache: Englisch
Verlag: Indiana University Press Aug 2016, 2016
ISBN 10: 025302160X ISBN 13: 9780253021601
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - Taking a cognitive approach to musical meaning, Arnie Cox explores embodied experiences of hearing music as those that move us both consciously and unconsciously. In this pioneering study that draws on neuroscience and music theory, phenomenology and cognitive science, Cox advances his theory of the 'mimetic hypothesis,' the notion that a large part of our experience and understanding of music involves an embodied imitation in the listener of bodily motions and exertions that are involved in producing music. Through an often unconscious imitation of action and sound, we feel the music as it moves and grows. With applications to tonal and post-tonal Western classical music, to Western vernacular music, and to non-Western music, Cox's work stands to expand the range of phenomena that can be explained by the role of sensory, motor, and affective aspects of human experience and cognition.