Sprache: Englisch
Verlag: Indiana University Press [2014], Bloomington and Indianapolis, 2014
ISBN 10: 0253012732 ISBN 13: 9780253012739
Anbieter: Colin Coleman Music, Stewkley, Vereinigtes Königreich
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In den WarenkorbSize: 8vo. xiii, 191pp. Publisher's printed hardback. Music examples, tables.
Sprache: Englisch
Verlag: MH - Indiana University Press, 2014
ISBN 10: 0253012732 ISBN 13: 9780253012739
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In den WarenkorbHRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: Indiana University Press (USA), 2014
ISBN 10: 0253012732 ISBN 13: 9780253012739
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
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In den WarenkorbZustand: New. pp. 216 5 Illus.
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In den WarenkorbHardcover. Zustand: Brand New. 191 pages. 9.75x6.50x0.75 inches. In Stock.
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Zustand: New. Argues that the influence of Emerson and Thoreau on Charles Ives' compositional style freed the composer from ordinary ideas of time and chronology, allowing him to recuperate the past as he reached for the musical unknown. Series: Musical Meaning & Interpretation. Num Pages: 216 pages, 57 music exx., 5 b&w illus., 7 tables. BIC Classification: AVGC6; AVH. Category: (P) Professional & Vocational. Dimension: 244 x 164 x 18. Weight in Grams: 462. . 2014. . . . . Books ship from the US and Ireland.
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In den WarenkorbZustand: New. Argues that the influence of Emerson and Thoreau on Charles Ives compositional style freed the composer from ordinary ideas of time and chronology, allowing him to recuperate the past as he reached for the musical unknown.Über den Autor.
Sprache: Englisch
Verlag: Indiana University Press Jun 2014, 2014
ISBN 10: 0253012732 ISBN 13: 9780253012739
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - Charles Ives (1874-1954) moved traditional compositional practice in new directions by incorporating modern and innovative techniques with nostalgic borrowings of 19th century American popular music and Protestant hymns. Matthew McDonald argues that the influence of Emerson and Thoreau on Ives's compositional style freed the composer from ordinary ideas of time and chronology, allowing him to recuperate the past as he reached for the musical unknown. McDonald links this concept of the multi-temporal in Ives's works to Transcendentalist understandings of eternity. His approach to Ives opens new avenues for inquiry into the composer's eclectic and complex style.