Isbn: 9780253011046 - sound, speech, music in soviet and post-soviet cinema (7 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In English.

Zustand: New. Addressing the little-known theoretical and artistic experimentation with sound in Soviet cinema, changing practices of voice delivery and translation, and issues of aesthetic ideology and music theory, this book explores the cultural and historical factors that influenced the use of voice, music, and sound on Soviet and post-Soviet screens. Editor(s): Kaganovsky, Lilya; Salazkina, Masha. Num Pages: 314 pages, 24 b&w illus. BIC Classification: 1DVUA; APFA. Category: (P) Professional & Vocational. Dimension: 229 x 154 x 20. Weight in Grams: 488. . 2014. Paperback. . . . . Books ship from the US and Ireland.…

Paperback. Zustand: Brand New. 299 pages. 9.25x6.25x1.00 inches. In Stock.

Zustand: New. Addressing the little-known theoretical and artistic experimentation with sound in Soviet cinema, changing practices of voice delivery and translation, and issues of aesthetic ideology and music theory, this book explores the cultural and historical factors.

Taschenbuch. Zustand: Neu. Sound, Speech, Music in Soviet and Post-Soviet Cinema | Lilya Kaganovsky (u. a.) | Taschenbuch | Indiana University Press (IPS) | Einband - flex.(Paperback) | Englisch | 2014 | Indiana University Press | EAN 9780253011046 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anbieter: preigu.…

Taschenbuch. Zustand: Neu. Neuware - This innovative volume challenges the ways we look at both cinema and cultural history by shifting the focus from the centrality of the visual and the literary toward the recognition of acoustic culture as formative of the Soviet and post-Soviet experience. Leading experts and emerging scholars from film studies, musicology, music theory, history, and cultural studies examine the importance of sound in Russian, Soviet, and post-Soviet cinema from a wide range of interdisciplinary perspectives. Addressing the little-known theoretical and artistic experimentation with sound in Soviet cinema, changing practices of voice delivery and translation, and issues of aesthetic ideology and music theory, this book explores the cultural and historical factors that influenced the use of voice, music, and sound on Soviet and post-Soviet screens. …