Sprache: Englisch
Verlag: Indiana University, Bloomington IN 2013., 2013
ISBN 10: 0253007518 ISBN 13: 9780253007513
Anbieter: Hay Cinema Bookshop Limited, Hay on Wye, Vereinigtes Königreich
Erstausgabe
EUR 10,46
Anzahl: 1 verfügbar
In den Warenkorb1st edition. 8vo. B/w. illustrations. Paperback in original brown wrapps. lettered in grey and orange. Very good. ISBN 9780253007513 US$12.
Sprache: Englisch
Verlag: MH - Indiana University Press, 2013
ISBN 10: 0253007518 ISBN 13: 9780253007513
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
EUR 30,71
Anzahl: 15 verfügbar
In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: Indiana University Press (USA), 2013
ISBN 10: 0253007518 ISBN 13: 9780253007513
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
EUR 33,70
Anzahl: 3 verfügbar
In den WarenkorbZustand: New. pp. 344 44 Illus.
Zustand: New. 2013. Paperback. . . . . . Books ship from the US and Ireland.
EUR 49,77
Anzahl: 2 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. 344 pages. 8.75x6.00x0.75 inches. In Stock.
EUR 36,23
Anzahl: Mehr als 20 verfügbar
In den WarenkorbKartoniert / Broschiert. Zustand: New. Uses trash as the unlikely metaphor to show how African films have depicted the globalized worldÜber den AutorrnrnKenneth W. Harrow is Distinguished Professor of English at Michigan State University. He is author of Postcolonial A.
Sprache: Englisch
Verlag: Indiana University Press Dez 2012, 2012
ISBN 10: 0253007518 ISBN 13: 9780253007513
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - Highlighting what is melodramatic, flashy, low, and gritty in the characters, images, and plots of African cinema, Kenneth W. Harrow uses trash as the unlikely metaphor to show how these films have depicted the globalized world. Rather than focusing on topics such as national liberation and postcolonialism, he employs the disruptive notion of trash to propose a destabilizing aesthetics of African cinema. Harrow argues that the spread of commodity capitalism has bred a culture of materiality and waste that now pervades African film. He posits that a view from below permits a way to understand the tropes of trash present in African cinematic imagery.