Sprache: Englisch
Verlag: Columbia University Press, 2015
ISBN 10: 0231163762 ISBN 13: 9780231163767
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Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New. Dimensions: 23.5 x 16.5 x 2.5cm.
Sprache: Englisch
Verlag: Columbia University Press, 2015
ISBN 10: 0231163762 ISBN 13: 9780231163767
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HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: Columbia University Press, 2015
ISBN 10: 0231163762 ISBN 13: 9780231163767
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In den WarenkorbHRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: Columbia University Press, 2015
ISBN 10: 0231163762 ISBN 13: 9780231163767
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Zustand: New. Translator(s): Brown, Saskia. Series: European Perspectives: A Series in Social Thought and Cultural Criticism. Num Pages: 288 pages. BIC Classification: JFC; JHBA. Category: (P) Professional & Vocational. Dimension: 167 x 236 x 26. Weight in Grams: 528. . 2015. Translation. Hardcover. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Columbia University Press, 2015
ISBN 10: 0231163762 ISBN 13: 9780231163767
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In den WarenkorbHardcover. Zustand: Brand New. translation edition. 260 pages. 8.00x5.00x1.00 inches. In Stock.
Sprache: Englisch
Verlag: Columbia University Press, 2015
ISBN 10: 0231163762 ISBN 13: 9780231163767
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - François Hartog explores crucial moments of change in societys regimes of historicity or its way of relating to the past, present, and future. Inspired by Arendt, Koselleck, and Ricoeur, Hartog analyzes a broad range of texts, positioning the The Odyssey as a work on the threshold of a historical consciousness and then contrasting it against an investigation of the anthropologist Marshall Sahlinss concept of heroic history. He tracks changing perspectives on time in Châteaubriands Historical Essay and Travels in America, and sets them alongside other writings from the French Revolution. He revisits the insight of the French Annals School and situates Pierre Noras Realms of Memory within a history of heritage and our contemporary presentism.