Sprache: Englisch
Verlag: Columbia University Press, 2005
ISBN 10: 0231125518 ISBN 13: 9780231125512
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: Very Good. How and why did the images of the crucified Christ and his grieving mother achieve such prominence, inspiring unparalleled religious creativity as well such imitative extremes as celibacy and self-flagellation? To answer this question, Fulton ranges over developments in liturgical performance, private prayer, doctrine, and art. Num Pages: 752 pages, 8 illus. BIC Classification: 1D; 3F; 3H; HRCC2. Category: (P) Professional & Vocational. Dimension: 235 x 156 x 36. Weight in Grams: 982. Good clean copy with minor shelfwear, remains very good. 2005. paperback. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Columbia University Press, New York, 2002
ISBN 10: 0231125518 ISBN 13: 9780231125512
Anbieter: Leaf and Stone Books, Toronto, ON, Kanada
Erstausgabe
Softcover. Zustand: Very Good. Zustand des Schutzumschlags: No Dust Jacket. First Edition. X, 676 pp. Indices, notes, bibliography. Frontis plate & 7 b/w plates. Large octavo. Dark blue glossy soft covers with early medieval image of Madonna and child with black, red and gold. Hint of corner curl and shelf wear, interior has pencil erasure on first blank, otherwise clean and nice, a good copy. ; 8vo 8" - 9" tall; 676 pages.
Sprache: Englisch
Verlag: Columbia University Press, 2005
ISBN 10: 0231125518 ISBN 13: 9780231125512
Anbieter: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irland
Zustand: Very Good. How and why did the images of the crucified Christ and his grieving mother achieve such prominence, inspiring unparalleled religious creativity as well such imitative extremes as celibacy and self-flagellation? To answer this question, Fulton ranges over developments in liturgical performance, private prayer, doctrine, and art. Num Pages: 752 pages, 8 illus. BIC Classification: 1D; 3F; 3H; HRCC2. Category: (P) Professional & Vocational. Dimension: 235 x 156 x 36. Weight in Grams: 982. Good clean copy with minor shelfwear, remains very good. 2005. paperback. . . . .
Sprache: Englisch
Verlag: Columbia University Press, 2005
ISBN 10: 0231125518 ISBN 13: 9780231125512
Anbieter: PBShop.store US, Wood Dale, IL, USA
PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: Columbia University Press, 2005
ISBN 10: 0231125518 ISBN 13: 9780231125512
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
EUR 41,38
Anzahl: 3 verfügbar
In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: Columbia University Press, 2005
ISBN 10: 0231125518 ISBN 13: 9780231125512
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
EUR 48,95
Anzahl: 3 verfügbar
In den WarenkorbZustand: New. pp. 752 8 Illus.
Sprache: Englisch
Verlag: Columbia University Press, 2005
ISBN 10: 0231125518 ISBN 13: 9780231125512
Anbieter: Frans Melk Antiquariaat, HILVERSUM, Niederlande
Columbia University Press, 2005.23,5 x 15,5 c, Paperback / Softcover. XVI, 676 pages. [ near ] FINE COPY [Theologie / Theology [Theologie / Kerkgeschiedenis] ].
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 78,02
Anzahl: 2 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. 676 pages. 9.00x6.00x1.25 inches. In Stock.
Sprache: Englisch
Verlag: Columbia University Press, 2005
ISBN 10: 0231125518 ISBN 13: 9780231125512
Anbieter: moluna, Greven, Deutschland
EUR 60,61
Anzahl: Mehr als 20 verfügbar
In den WarenkorbKartoniert / Broschiert. Zustand: New. How and why did the images of the crucified Christ and his grieving mother achieve such prominence, inspiring unparalleled religious creativity as well such imitative extremes as celibacy and self-flagellation? To answer this question, Fulton ranges over de.
Sprache: Englisch
Verlag: Columbia University Press Okt 2005, 2005
ISBN 10: 0231125518 ISBN 13: 9780231125512
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - Devotion to the crucified Christ is one of the most familiar yet disconcerting artifacts of medieval European civilization. How and why did the images of the dying God-man and his grieving mother achieve such prominence, inspiring unparalleled religious creativity and emotional artistry even as they fostered such imitative extremes as celibacy, crusade, and self-flagellation.