Sprache: Englisch
Verlag: Columbia University Press, 1995
ISBN 10: 0231064284 ISBN 13: 9780231064286
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
EUR 30,23
Anzahl: 1 verfügbar
In den WarenkorbZustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings In poor condition, suitable as a reading copy. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,950grams, ISBN:9780231064286.
Sprache: Englisch
Verlag: Columbia University Press, 1995
ISBN 10: 0231064284 ISBN 13: 9780231064286
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Sprache: Englisch
Verlag: Columbia University Press, 1995
ISBN 10: 0231064284 ISBN 13: 9780231064286
Anbieter: Borkert, Schwarz und Zerfaß GbR, Berlin, Deutschland
Zustand: Sehr gut. 462 Seiten Very good and fresh copy. - Contents: Abbreviations of Cited Sources -- Editors' Preface -- Acknowledgments -- Commentary -- Schoenberg's View of Art -- Schoenberg's Preface -- The Musical Idea -- Comprehensibility and Coherence -- Theory of Form -- The Constructive Function of Harmony -- Conclusion -- The Musical Idea and the Logic, Technique, and Art of Its Presentation -- [Der musikalische Gedanke und die Logik, Technik, und Kunst seiner Darstellung] -- Preface and Overview -- Preface -- Title Page -- Principles of the Presentation of the Idea -- Plan of the Book -- The Profundity of the Idea and Its Realization -- as a Standard -- viii. Contents -- The Musical Idea and the Logic, Technique, and Art of Its Presentation -- Idea (1 and 2) -- The Idea in the Contrapuntal Art of Composition and Its Presentation -- Principles of Construction -- Comprehensibility -- Laws of Comprehensibility -- Coherence -- The Laws of Musical Coherence -- Elements of Form -- The Parts of a Piece -- Part -- Elements of Form -- Phrase -- Gestalt -- Grundgestalt and Motive -- The Difference Between Gestalt and Phrase -- Features of the Motive -- Statement -- Stable Formation -- Loose Formation -- Theme -- Melody -- Sonority as a Formative Element -- Rhythm -- Rhythm -- Classification of Rhythms -- Accentuation and Nonaccentuation -- Formal Procedures -- [Formal Procedures] -- Articulation -- Change, Variation, Variant, Varying -- Kinds of Variation -- Coherence of "New Components" -- Mirror Forms -- AD -- Close -- Cadencing -- Cadential Fall -- Cont -- EDN -- Kinds of Connection -- Technique of Joining -- Condensation -- Dissolution, Liquidation -- Tendency of the Smallest Notes -- The Structural Capacities of the Scale -- Wave-Shaped Progression -- Contrasts (Contrasting Themes) -- Digression from the Main Idea -- Principal Idea, Subsidiary Idea -- Subordinate Theme -- Secondary, Tertiary, etc. Gestalten and Motives -- The Shaping of Principal and Subordinate -- (Accompanying) Voices -- Development Section -- Sequences -- Intensification -- Does Repetition Have an Intensifying Effect? -- Voice (Independent) -- Introduction (1 and 2) -- Preparation -- Extramusical Means of Coherence -- Fantasy -- Description of All Forms -- Miscellaneous -- Performance and Gestalt -- The Sense of Rit. and Accel. -- Relaxation -- Symmetry -- Origin of Repetitions -- Primitive Principles -- Popular Music and Melody -- Harmony -- The Constructive Function of Harmony -- Addendum -- Keywords Still to Be Indexed -- Keywords -- Concordance of Terms -- x. Contents -- Appendix 1 Descriptions of the Gedanke Manuscripts -- Appendix 2 Contents of Manuscript No. 10, Listed in Their Original Order -- Appendix 3 German Texts of Unpublished Gedanke Manuscripts Referred to in the Commentary -- Notes -- Bibliography -- Index of Musical Examples -- Name Index -- Subject Index. ISBN 9780231064286 Sprache: Englisch Gewicht in Gramm: 810 Orig.-Halbleinen; Orig.-Schutzumschlag.
Sprache: Englisch
Verlag: Columbia University Press, 1995
ISBN 10: 0231064284 ISBN 13: 9780231064286
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
EUR 109,33
Anzahl: 2 verfügbar
In den WarenkorbHRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: Columbia University Press, 1995
ISBN 10: 0231064284 ISBN 13: 9780231064286
Anbieter: PBShop.store US, Wood Dale, IL, USA
HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: Columbia University Press, 1995
ISBN 10: 0231064284 ISBN 13: 9780231064286
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. This treatise relates Schoenberg's concept of the musical idea. It defines his thought on gestalt, motive, grundgestalt, phrase, rhythm and accent, the construction function of harmony, homophonic and contrapuntal forms, and compositional coherence. Editor(s): Carpenter, Patricia; Neff, Severine. Num Pages: 486 pages, 179 illustrations. BIC Classification: AVA. Category: (P) Professional & Vocational. Dimension: 158 x 239 x 32. Weight in Grams: 862. . 1995. Hardcover. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Columbia University Press, 1995
ISBN 10: 0231064284 ISBN 13: 9780231064286
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
EUR 182,67
Anzahl: 1 verfügbar
In den WarenkorbZustand: New. pp. 486.
EUR 158,32
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. This treatise relates Schoenberg s concept of the musical idea. It defines his thought on gestalt, motive, grundgestalt, phrase, rhythm and accent, the construction function of harmony, homophonic and contrapuntal forms, and compositional coherence.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 210,11
Anzahl: 2 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. 462 pages. 9.75x6.50x1.50 inches. In Stock.