Sprache: Englisch
Verlag: University of Chicago Press, 2000
ISBN 10: 0226730999 ISBN 13: 9780226730998
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Sprache: Englisch
Verlag: University of Chicago Press, 2000
ISBN 10: 0226730999 ISBN 13: 9780226730998
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Sprache: Englisch
Verlag: University of Chicago Press, 2000
ISBN 10: 0226730999 ISBN 13: 9780226730998
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Sprache: Englisch
Verlag: University of Chicago Press, 2000
ISBN 10: 0226730999 ISBN 13: 9780226730998
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Sprache: Englisch
Verlag: The University of Chicago Press, 2000
ISBN 10: 0226730999 ISBN 13: 9780226730998
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Sprache: Englisch
Verlag: The University of Chicago Press, 2000
ISBN 10: 0226730999 ISBN 13: 9780226730998
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In den WarenkorbPaperback. Zustand: Very Good. Picturing Culture: Explorations of Film and Anthropology This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.
Sprache: Englisch
Verlag: The University of Chicago Press, 2000
ISBN 10: 0226730999 ISBN 13: 9780226730998
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Sprache: Englisch
Verlag: University of Chicago Press 02/10/2000, 2000
ISBN 10: 0226730999 ISBN 13: 9780226730998
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Sprache: Englisch
Verlag: University of Chicago Press, 2000
ISBN 10: 0226730999 ISBN 13: 9780226730998
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In den WarenkorbPaperback. Zustand: Very Good. 0226730999. 2000, bright clean copy, no markings, Professional booksellers since 1981.
Sprache: Englisch
Verlag: University of Chicago Press, 2000
ISBN 10: 0226730999 ISBN 13: 9780226730998
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Sprache: Englisch
Verlag: University of Chicago Press, 2000
ISBN 10: 0226730999 ISBN 13: 9780226730998
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In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: University of Chicago Press, 2000
ISBN 10: 0226730999 ISBN 13: 9780226730998
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In den WarenkorbZustand: New. pp. 354.
Sprache: Englisch
Verlag: The University of Chicago Press, 2000
ISBN 10: 0226730999 ISBN 13: 9780226730998
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Zustand: New. This text explores the relationship between film and anthropology. It analyzes key filmmakers, the idea of research film, Eric Michaels and indigenous media, the ethics of representation, ethnography and anthropological knowledge. Num Pages: 340 pages. BIC Classification: APFA; JFD; JHM. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 228 x 152 x 20. Weight in Grams: 490. . 2000. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.
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In den WarenkorbPaperback. Zustand: Brand New. 1st edition. 354 pages. 6.00x8.75x0.75 inches. In Stock.
Sprache: Englisch
Verlag: The University of Chicago Press, 2000
ISBN 10: 0226730999 ISBN 13: 9780226730998
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Sprache: Englisch
Verlag: University of Chicago Press, 2000
ISBN 10: 0226730999 ISBN 13: 9780226730998
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In den WarenkorbKartoniert / Broschiert. Zustand: New. This text explores the relationship between film and anthropology. It analyzes key filmmakers, the idea of research film, Eric Michaels and indigenous media, the ethics of representation, ethnography and anthropological knowledge.Klappentextrn.
Sprache: Englisch
Verlag: The University Of Chicago Press Aug 2000, 2000
ISBN 10: 0226730999 ISBN 13: 9780226730998
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - Here, Jay Ruby--a founder of visual anthropology--distills his thirty-year exploration of the relationship of film and anthropology. Spurred by a conviction that the ideal of an anthropological cinema has not even remotely begun to be realized, Ruby argues that ethnographic filmmakers should generate a set of critical standards analogous to those for written ethnographies. Cinematic artistry and the desire to entertain, he argues, can eclipse the original intention, which is to provide an anthropological representation of the subjects.The book begins with analyses of key filmmakers (Robert Flaherty, Robert Garner, and Tim Asch) who have striven to generate profound statements about human behavior on film. Ruby then discusses the idea of research film, Eric Michaels and indigenous media, the ethics of representation, the nature of ethnography, anthropological knowledge, and film and lays the groundwork for a critical approach to the field that borrows selectively from film, communication, media, and cultural studies. Witty and original, yet intensely theoretical, this collection is a major contribution to the field of visual anthropology.