Sprache: Englisch
Verlag: University of Chicago Press, 1994
ISBN 10: 0226701964 ISBN 13: 9780226701967
Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
Sprache: Englisch
Verlag: The University of Chicago Press, 1994
ISBN 10: 0226701964 ISBN 13: 9780226701967
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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: The University of Chicago Press, 1994
ISBN 10: 0226701964 ISBN 13: 9780226701967
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Sprache: Englisch
Verlag: University of Chicago Press, 1994
ISBN 10: 0226701964 ISBN 13: 9780226701967
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In den WarenkorbZustand: New. pp. 336 Illus.
Sprache: Englisch
Verlag: The University of Chicago Press, 1994
ISBN 10: 0226701964 ISBN 13: 9780226701967
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Zustand: New. By relating biography to the cultural and musical contours of contemporary American life, Ronald M. Radano observes jazz practice as part of the complex interweaving of postmodern culture. Radano accomplishes this by analyzing the creative life of Anthony Braxton. Num Pages: 336 pages, 24ill. BIC Classification: 3JJP; AVGJ; AVGK; AVRN; BGF. Category: (G) General (US: Trade); (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 235 x 157 x 18. Weight in Grams: 481. . 1994. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.
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In den WarenkorbZustand: New. By relating biography to the cultural and musical contours of contemporary American life, Ronald M. Radano observes jazz practice as part of the complex interweaving of postmodern culture. Radano accomplishes this by analyzing the creative life of Anthony B.
Sprache: Englisch
Verlag: The University Of Chicago Press Jan 1994, 1994
ISBN 10: 0226701964 ISBN 13: 9780226701967
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - List of IllustrationsAcknowledgmentsA Note on Sources and Methods1. Introduction: A New Musical Balance2. Chicago as Aesthetic Center3. Musical Assertions of Black Identity4. New Musical Convergences: Paris and New York5. Defining a Black Vanguard Aesthetic6. Black Experimentalism as SpectacleEpilogue: Jazz RecastAppendix APicture Titles of Compositions CitedAppendix BRecordings Cited/Anthony Braxton on RecordMusic IndexGeneral Index.