Sprache: Englisch
Verlag: University of Chicago Press, 2011
ISBN 10: 0226550354 ISBN 13: 9780226550350
Anbieter: PBShop.store US, Wood Dale, IL, USA
HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: University of Chicago Press, 2011
ISBN 10: 0226550354 ISBN 13: 9780226550350
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
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In den WarenkorbHRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: The University of Chicago Press, 2011
ISBN 10: 0226550354 ISBN 13: 9780226550350
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In den WarenkorbZustand: New. What accounts for the persistence of the figure of the black criminal in popular culture created by African Americans? This title explores the rationale behind this tradition of criminal self-representation from the Harlem Renaissance to the gangsta culture. It traces the legacy of badness in Rudolph Fisher and Chester Himes' detective fiction. Num Pages: 248 pages, black & white illustrations. BIC Classification: 1KBB; JFCA; JFSL3. Category: (G) General (US: Trade). Dimension: 229 x 152 x 18. Weight in Grams: 503. . 2011. Hardcover. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: University of Chicago Press, 2011
ISBN 10: 0226550354 ISBN 13: 9780226550350
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
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In den WarenkorbZustand: New. pp. 248.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
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In den WarenkorbHardcover. Zustand: Brand New. 216 pages. 9.00x6.00x0.75 inches. In Stock.
EUR 115,36
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In den WarenkorbZustand: New. What accounts for the persistence of the figure of the black criminal in popular culture created by African Americans? This title explores the rationale behind this tradition of criminal self-representation from the Harlem Renaissance to the gangsta culture.
Sprache: Englisch
Verlag: The University Of Chicago Press Jul 2011, 2011
ISBN 10: 0226550354 ISBN 13: 9780226550350
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - What accounts for the persistence of the figure of the black criminal in popular culture created by African Americans This title explores the rationale behind this tradition of criminal self-representation from the Harlem Renaissance to the gangsta culture. It traces the legacy of badness in Rudolph Fisher and Chester Himes' detective fiction.