Verlag: University of Chicago Press, 2017
ISBN 10: 022634777X ISBN 13: 9780226347776
Sprache: Englisch
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Hardcover. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.65.
Verlag: The University of Chicago Press, 2017
ISBN 10: 022634777X ISBN 13: 9780226347776
Sprache: Englisch
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HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Verlag: The University of Chicago Press, 2017
ISBN 10: 022634777X ISBN 13: 9780226347776
Sprache: Englisch
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In den WarenkorbHRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Verlag: University of Chicago Press, 2017
ISBN 10: 022634777X ISBN 13: 9780226347776
Sprache: Englisch
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In den WarenkorbZustand: New. pp. 240.
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In den WarenkorbHardcover. Zustand: Brand New. 202 pages. 10.25x7.25x0.75 inches. In Stock.
Verlag: University Of Chicago Press, 2017
ISBN 10: 022634777X ISBN 13: 9780226347776
Sprache: Englisch
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In den WarenkorbGebunden. Zustand: New. Über den AutorAnthony E. Grudin is associate professor of art history at the University of Vermont. KlappentextThis is the first study of the importance of class in Andy Warhol s artwork. Durin.
Verlag: University Of Chicago Press Okt 2017, 2017
ISBN 10: 022634777X ISBN 13: 9780226347776
Sprache: Englisch
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - This is the first study of the importance of class in Andy Warhol's artwork. During the early 1960s, as the idea advanced that fixed classes were a mirage and status an individual achievement, Warhol's Pop art appropriated images, techniques, and technologies that have long been described as generically 'American' or 'middle-class.' Grudin, however, demonstrate that these images and techniques--soup cans, comic book ads, and silk screening, for example--were in fact closely associated with the American working class. Having propelled himself from an impoverished childhood in Pittsburgh to the top of the advertising industry in New York City, Warhol understood and exploited the intense appeal that popular culture held for aspiring audiences. Grudin traces Warhol's sensitivity to this tension by examining his diverse output: how he used mass-cultural signs (Coca-Cola, paint-by-numbers, popular dance steps) to produce paintings and photographs as well as films, writing, performance, and music.