Sprache: Englisch
Verlag: University of Chicago Press, 2011
ISBN 10: 0226316122 ISBN 13: 9780226316123
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paperback. Zustand: New. In shrink wrap. Looks like an interesting title!
Sprache: Englisch
Verlag: University of Chicago Press, 2011
ISBN 10: 0226316122 ISBN 13: 9780226316123
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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: University of Chicago Press, 2011
ISBN 10: 0226316122 ISBN 13: 9780226316123
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Sprache: Englisch
Verlag: University of Chicago Press, 2011
ISBN 10: 0226316122 ISBN 13: 9780226316123
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In den WarenkorbZustand: New. pp. 432.
Sprache: Englisch
Verlag: The University of Chicago Press, 2011
ISBN 10: 0226316122 ISBN 13: 9780226316123
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Zustand: New. Provides a definitive study of the iconic photograph as a dynamic form of public art. In this title, iconic images are revealed as models of visual eloquence, signposts for collective memory, means of persuasion across the political spectrum, and a crucial resource for critical reflection. Num Pages: 432 pages, 53 halftones. BIC Classification: 1KBB; AJCR; KNTJ. Category: (G) General (US: Trade). Dimension: 229 x 151 x 26. Weight in Grams: 670. . 2011. Reprint. Paperback. . . . . Books ship from the US and Ireland.
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In den WarenkorbPaperback. Zustand: Brand New. reprint edition. 419 pages. 9.00x6.00x1.00 inches. In Stock.
Sprache: Englisch
Verlag: The University of Chicago Press, 2011
ISBN 10: 0226316122 ISBN 13: 9780226316123
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In den WarenkorbZustand: New. Provides a definitive study of the iconic photograph as a dynamic form of public art. In this title, iconic images are revealed as models of visual eloquence, signposts for collective memory, means of persuasion across the political spectrum, and a crucial .
Sprache: Englisch
Verlag: University Of Chicago Press Mai 2011, 2011
ISBN 10: 0226316122 ISBN 13: 9780226316123
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Fotografie
Taschenbuch. Zustand: Neu. Neuware - In No Caption Needed, Robert Hariman and John Louis Lucaites provide the definitive study of the iconic photograph as a dynamic form of public art. Their critical analyses of nine individual icons explore the photographs themselves and their subsequent circulation through an astonishing array of media, including stamps, posters, billboards, editorial cartoons, TV shows, Web pages, tattoos, and more. Iconic images are revealed as models of visual eloquence, signposts for collective memory, means of persuasion across the political spectrum, and a crucial resource for critical reflection.Arguing against the conventional belief that visual images short-circuit rational deliberation and radical critique, Hariman and Lucaites make a bold case for the value of visual imagery in a liberal-democratic society. No Caption Needed is a compelling demonstration of photojournalism's vital contribution to public life.