Sprache: Englisch
Verlag: Oxford University Press, Usa, 2014
ISBN 10: 0199949336 ISBN 13: 9780199949335
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In den Warenkorbpaperback. Zustand: Used; Very Good. Dispatched, from the UK, within 48 hours of ordering. Though second-hand, the book is still in very good shape. Minimal signs of usage may include very minor creasing on the cover or on the spine.
Sprache: Englisch
Verlag: Oxford University Press, Usa, 2014
ISBN 10: 0199949336 ISBN 13: 9780199949335
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paperback. Zustand: Very Good.
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In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Oxford University Press Inc, 2014
ISBN 10: 0199949336 ISBN 13: 9780199949335
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. Editor(s): Laderman, David; Westrup, Laurel. Num Pages: 288 pages, 44 photographs. BIC Classification: AVA; AVGV; AVX; JFD. Category: (G) General (US: Trade). Dimension: 160 x 233 x 17. Weight in Grams: 492. . 2014. Paperback. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Oxford University Press Mär 2014, 2014
ISBN 10: 0199949336 ISBN 13: 9780199949335
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - This book puts sampling studies on the academic map by focusing on sampling as a logic of exchange between audio-visual media. While some recent scholarship has addressed sampling primarily in relation to copyright, this book is a first: a critical study of sampling and remixing across audio-visual media. Of special interest here are works that bring together both audio and visual sampling: music that samples film and television; underground dance and multimedia scenes that rely on sampling; Internet 'memes' that repurpose music videos, trailers and news broadcasts; films and videos that incorporate a wide range of sampling aesthetics; and other provocative variations. Comprised of four sections titled 'roots,' 'scenes,' 'cinema' and 'web' this collection digs deep into and across sampling practices that intervene in popular culture from unconventional or subversive perspectives. To this end, Sampling Media extends the conceptual boundaries of sampling by emphasizing its inter-medial dimensions, exploring the politics of sampling practice beyond copyright law, and examining its more marginal applications. It likewise puts into conversation compelling instances of sampling from a wide variety of historical and contemporary, global and local contexts.