Produktart
Zustand
Einband
Weitere Eigenschaften
Land des Verkäufers
Verkäuferbewertung
Verlag: Oxford University Press, 2013
ISBN 10: 0199939918ISBN 13: 9780199939916
Anbieter: Kloof Booksellers & Scientia Verlag, Amsterdam, Niederlande
Buch
Zustand: as new. Oxford & New York : Oxford University Press, 2013. Hardcover. Dustjacket. 336 pp.- In Dig, Phil Ford argues that while hipsters have always used clothing, hairstyle, gesture, and slang to mark their distance from consensus culture, music has consistently been the primary means of resistance, the royal road to hip. Hipness suggests a particular kind of alienation from society--alienation due not to any specific political wrong but to something more radical, a clash of perception and consciousness. From the vantage of hipness, the dominant culture constitutes a system bent on excluding creativity, self-awareness, and self-expression. The hipster's project is thus to define himself against this system, to resist being stamped in its uniform, squarish mold. Ford explores radio shows, films, novels, poems, essays, jokes, and political manifestos, but argues that music more than any other form of expression has shaped the alienated hipster's identity. Indeed, for many avant-garde subcultures music is their raison d'être. Hip intellectuals conceived of sound itself as a way of challenging meaning--that which is cognitive and abstract, timeless and placeless--with experience--that which is embodied, concrete and anchored in place and time. Through Charlie Parker's "Ornithology," Ken Nordine's "Sound Museum," Bob Dylan's "Ballad of a Thin Man," and a range of other illuminating examples, Ford shows why and how music came to be at the center of hipness. English text. Condition : as new. Condition : as new copy. ISBN 9780199939916. Keywords : ,
Verlag: Oxford University Press, New York, 2013
ISBN 10: 0199939918ISBN 13: 9780199939916
Anbieter: Craig Olson Books, ABAA/ILAB, Belfast, ME, USA
Buch Erstausgabe
Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First Edition. First Printing. xii, 306 pp 8vo. Clean, crisp copy.
Verlag: Oxford University Press, 2013
ISBN 10: 0199939918ISBN 13: 9780199939916
Anbieter: Chapter 1, Johannesburg, GAU, Südafrika
Buch Erstausgabe
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition. The jacket is shelf rubbed with creases along the edges, but it remains whole. The boards are slightly edge rubbed but tidy overall. Binding is secure. Pages are neat with no markings, inscriptions or annotations. Presents well in cellophane. JHK. Our orders are shipped using tracked courier delivery services.
Verlag: Oxford University Press, Incorporated, 2013
ISBN 10: 0199939918ISBN 13: 9780199939916
Anbieter: Better World Books, Mishawaka, IN, USA
Buch
Zustand: Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.
Verlag: Oxford University Press Inc, 2013
ISBN 10: 0199939918ISBN 13: 9780199939916
Anbieter: artbook-service, Berlin, Deutschland
Buch
hardcover. Zustand: Gebraucht. Gebraucht - Sehr gut Ungelesenes, vollständiges Exemplar; in sehr gutem Zustand mit leichten Lagerspuren, als Mängelexemplar gekennzeichnet -Dig argues that in hip culture it is sound itself, and the faculty of hearing, that is the privileged part of the sensory experience. Through a string of lucid and illuminating examples, author Phil Ford shows why and how music became a central facet of hipness and the counterculture.\\nOriginalBarCode: 9780199939916 306 pp.